Peel Session Stories
The Clash
The Clash famously recorded only half a session for Peel, or indeed the 成人快手. There have been a number of interviews in which John spoke about this ill-fated session, one of which resulted in John saying "The Clash did half a session and then wandered off - unbearably pretentious".
But there have been a couple of more detailed explanations since. In an interview for Interzone Magazine in January 1994, John said:
鈥淭hey (The Clash) did come in actually - they did backing tracks but then said the studios weren't good enough - not a very punk attitude - though the story from the studio was that they were too out of their heads to do it.鈥
Finally, perhaps a more plausible explanation for The Clash鈥檚 walk out is that Joe Strummer once said that 鈥渓istening to John Peel was like a dog being sick in your face.鈥 (NME, March 1991). Charming.
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Sex Pistols
Considering that the Pistols were regarded by many as the true icons of punk, and that Peel was the one who introduced said musical genre to the masses, its one of life鈥檚 mysteries as to why they never recorded a session for the 成人快手. John Walters was producing the show at the time.
In a 成人快手 TV documentary made before Walters鈥 death, and repeated after Peel鈥檚, John Walters expressed his regret that he passed over booking the Sex Pistols for a session because 鈥 after seeing them play live - he'd spotted the look in Johnny Rotten's eyes that awoke the slumbering arts teacher in him: "That is a boy I wouldn't trust to hand out the scissors."
In another unknown earlier interview, Walters is quoted as saying:
鈥淚 made one of the only two mistakes I've ever made...I looked at them, and what with all the spitting and banging and thought, 鈥業 wouldn't like to be in a studio with this lot...I'll postpone it鈥, I thought and by then, of course it was too late."
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:: /music - Pistols profile
The Slits
Although it was difficult to pin-down Peel when it came to discussing his favourite session, he has gone on record several times as saying that the first Slits session was just that. They went on to do another two more for Peel. Below are some recollections of that session (Viv Albertine was rhythm guitarist and backing vocalist with the Slits)
鈥淭hat was the first time we鈥檇 ever been in a studio. Lots of people thought the result better than the album. It was absolutely raw, more raw than any boys鈥 band. I almost can鈥檛 believe we had that much energy. You don鈥檛 expect girls of that age to have that much energy; Ari was 14, I think, and the rest of us were all under 20. 鈥榁indictive鈥檚鈥 not on any LP, and 鈥楴ew Town鈥 was very different when re-recorded. It was also the only recording we made with Palmolive, as an all-girl band. It was years before we made an album.鈥
- Viv Albertine (In Session Tonight by Ken Garner, 1993 Published by 成人快手 Books)
鈥淚t was everyone hitting anything as loudly as possible; vaguely in time, there was a sort of rhythm there, and then this maniac shrieking on top. On stage, at that time, it probably sounded quite good, when it was loud, but, when it came out over little speakers, fairly quietly, it just sounded painful. The tuning of the guitars was all over the place. So myself and the other engineer, both guitarists to a certain degree, had to go out and tune them ourselves. Every now and then we鈥檇 have to go back and re-tune them, because they didn鈥檛 have a clue how to. I wonder if we did the right thing.鈥
- Nick Gomm (In Session Tonight by Ken Garner, 1993 Published by 成人快手 Books)
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The Undertones
Much has been said about the Undertones鈥 association with Radio 1, and with Peel in particular. Teenage Kicks was the great man鈥檚 favourite song after all. They did five sessions for Peel and one for Richard Skinner, all between 1978 and 1982.
鈥淲e were a bunch of late teenagers having a good time. By January 1979 we were over supporting the Rezillos so we could do a session at Maida Vale. But the biggest thing that struck me at the time was that John Peel had paid for us to do that first tape the previous autumn out of his own pocket. I don鈥檛 know of any other DJ that I鈥檝e met who would care to that extent, show that much drive and commitment to the music.鈥
- Feargal Sharkey (In Session Tonight by Ken Garner, 1993 Published by 成人快手 Books)
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The Damned
Another punk band who made several appearances at Maida Vale studios, doing eleven sessions between 1976 and 1985.
鈥淚 think I was apprehensive about it, because I hadn鈥檛 seen them before or met them; but, in fact, when we got to the studio, I鈥檓 not sure who was more apprehensive, them, about being in a 成人快手 studio, or me about working with them.
"The amusing thing was quite a few other people had heard that the Damned were in, and every now and again we got people creeping in through the door, looking in through the window to see if they were being sick all over the place or spitting at us. Which they weren鈥檛 at all, of course; they were four of the nicest blokes I ever got to work with.鈥
- Jeff Griffin (In Session Tonight by Ken Garner, 1993 Published by 成人快手 Books)
鈥淚 Just remember it being a very fast session. Five numbers down, and Jeff away back to Radio 1 with the tapes. We finished very early.鈥
- Mike Robinson (In Session Tonight by Ken Garner, 1993 Published by 成人快手 Books)
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Nirvana
Its been said thousands of times, Peel鈥檚 biggest strength was spotting bands before they went ballistic in terms of their careers, and he managed to get Nirvana three times (1989, 1990, 1991). Mark Goodier also had Nirvana for the old Evening Session, also in 1991, about two weeks after they recorded their last Peel session.
鈥淣irvana did a few sessions at Maida Vale. I think I did their last one, which was still relatively early in their career. Jeff Smith phoned me and said 鈥榊ou鈥檝e got a really hot one this week 鈥 Nirvana鈥, and to be honest I hadn鈥檛 really heard of them. The session went well, and I thought they were good. We recorded it, went to the pub for a couple of drinks, then came back to mix it. It was only when their manager, John Silva, came in to the studio and told them that they鈥檇 just gone double-platinum in America (with Nevermind) that I thought, 鈥榟mm, they must be quite famous then鈥.
I remember that Kurt didn鈥檛 react much when his manager told him their album was number one in the States. He seemed to be more bothered about that fact that Fender had delivered six white, left-handed Stratocaster guitars to his hotel room. They must鈥檝e liked the session though, because they later insisted that I do the live recording at Reading. The Foo Fighters have used me ever since, too.鈥
- Miti Adhikari
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Other punk acts worth mentioning:
Buzzcocks (4 Peel sessions, 2 Jensen sessions)
The Ramones (1 Kershaw session)
Fugazi (1 Peel session)
Green Day (2 sessions 鈥 unknown shows)
Rancid (1 session 鈥 unknown show)
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