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July, 2003
Review: The Tempest
The Tempest
Creation Theatre Company's production of The Tempest mesmerised Victoria Roddam.
The jaw-dropping special effects and beautiful natural setting of Creation Theatre's latest production, The Tempest, mesmerised Victoria Roddam.
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The Tempest is playing in Headington Hill, a woodland a short walk from Oxford City Centre.

Tuesday July 1 - Saturday September 13.

A magical evening - in more ways than one!

We held our breath… the sky looked ominous. Will it? Won't it? Fortunately, the rain held off for this delightful new open-air extravaganza from Creation Theatre, now as much part of an Oxford summer as punts, strawberries and May Day antics.

Creation Theatre is justifiably proud of its reputation for working in unusual settings and venues, and Headington Hill Park is no exception. The leafy surrounds of the park and the splendid acoustics provided the perfect backdrop for Shakespeare's mysterious tale of shipwreck, island life, enchantment and young love.

Most spellbinding of all were the amazing sleights of hand and magical illusions conjured by the performers and devised by Visual Consultant and member of the Magic Circle - Paul McEneamy.

With dazzling effects ranging from levitation to the appearance of characters seemingly from nowhere, these feats of wizardry were masterminded by Seamus Allen who played the melancholy Ariel.

My only criticism of this otherwise excellent rendition is that the magical setpieces to some degree distracted from some very strong and subtle performances - Robert Lister's Prospero as a Machiavellian yet sympathetic puppet-master; Raewyn Lippert and Tom Mallaburn portraying Miranda and Ferdinand as innocents who reach new levels of maturity and understanding; and Simon Donaldson's tempestuous Caliban.

A marvellous blend of the natural with the supernatural, in an exquisite venue; there could be no more perfect way to spend a summer evening.


By Victoria Roddam

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