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Audiences behaving badly

Pauline McLean | 15:14 UK time, Tuesday, 26 August 2008

First off, let me defend the reputation of Herr Brendel who thanks to a slip of the finger has been paused forever mid movement (and it was my fingers that slipped, not his, in case I defame his reputation further).

He was, of course, between movements when he ticked a concert goer off for coughing.

It was a mild rebuke for what sounded like a full blown outbreak of TB. And good on him too.

Wish he'd been in the audience of the international festival theatre show I went to last night, in which the words could barely be heard above the whispers of a party of German students.

That was the ones who stayed - several had already clambered over and left in the first 10 minutes.

And if you want full blown bad behaviour, two Swiss tourists in the front row of the Spiegeltent's Sideshow last night had a full scale domestic before passing out.

And before you say the shows must have been really bad, they weren't.

The international one wasn't great but it was an hour long - so surely theatre etiquette dicates you sit on your backside and have a snooze until it's all over, instead of ruining the experience for everyone else?

Just a week ago, I found myself barely able to stand up straight in a crowded cellar while the English company Badac concluded their harrowing show The Factory, in which we've followed a group of actors playing terrified Jews through a series of corridors to this last room.

They're naked and crying amongst us and I'm desperate to get out.

It's hot and sticky and smelly and I can barely breathe.

I don't panic easily but I'm beginning to panic.

But I still don't want to leave because it will mean everyone's belief in the story will be suspended as I shuffle out.

So I stay put, and I discover afterwards that I'm not the only one who wanted to leave (some much earlier in the performance - read my colleague Angie's experiences on www.bbc.co.uk/edfest2008

I'm not of course saying you can't leave mid show ever.

I went to see Finding Neverland the day before I had my son - going into labour is, I believe one of several legitimate reasons to leave a performance half way through.

And coughing, snuffling and fidgeting can't really count as serious concert crimes.

It does though feel symptomatic of a much bigger problem, which is we seem to have lost all sense of performance etiquette.

If you choose to go see a show, don't the performers deserve the respect that says you won't bring your mobile phone and text your friends all the way through the performance.

Supper clubs aside - they do still exist - can you really not last two hours without eating your way through a bag of boiled sweets/stinky nachos/bucket of popcorn?

Maybe the new look Usher Hall will have some old-fashioned usherettes (or ushers) to cast a stern glance at misbehaving types, to slip a cup of water to coughaholics and to let the performers get on with what they came for.

Comments

  • Comment number 1.

    Ah that explains it. I thought it was a little strange for a real traditionalist such as Herr Brendel to have paused mid movement. It sounded like something out of Little Britain.

    I did suspect that you may have meant between movements as I googled a few reviews and none of them mentioned what would have been an almost unprecedented occurence.

    I can sleep easy now.

    PS You can remove my 2nd comment on the last board if you wish as it is no longer relevant.

  • Comment number 2.

    Your comments about bad crowd behaviour could be, unfortunately, applicable anywhere. Certainly in my experience this has got markedly worse in the last few years and brings out a sort of 'theatre-range' in me. Boiled sweets, talking, texting, feet on seats, etc. are all things I've seen in the last year, and that's in the expensive seats at the Royal Opera House. I even saw someone eat a baguette once.

    Unfortunately, it's indicative of modern life where people just don't think about others.

    I sound world-weary and pessimistic already and I'm only 29! What'll it be like in 50 years, I dread to think!

  • Comment number 3.

    We've commented numerous times about this at our own blog - the rudeness of audiences is becoming unbearable. At a recent performance at The Tron the chatting amongst the audience resulted in us moving seats at the interval. Theatres do need to take positive action for the sake of both the cast and the rest of the audience.

    I once had to leave a studio piece part way during the first act as the heat in the venue was causing me severe problems. I coped with feeling faint (I could have done that quietly and unobtrusively), but once I started to feel sick I knew I had to leave.

    I didn't go back for the second act - didn't want to risk interupting again. And I apologised to the very understanding cast at the end.

    We've found Fringe audiences to be much better behaved. Possibly because a lot of them are also performers.

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