The Automatic - 'Steve McQueen'
No matter how hardcore his friends are, no matter how 'REAL' he may consider himself to be compared to his former bandmates, no matter how appealing his hyperactive stage presence was, that Pennie fella didn't really add a lot to the Automatic's sound besides the sound of a tiny little yappy dog shouting at the postman. It's not the most versatile of musical noises - although funny when they were covering Kanye West - and BOY did it get old quickly. The band's sole album so far was entirely spoiled by it, although the lack of variety in the songwriting didn't really help either.
So, here we are. The yappy talk is over, the band's one-hit-wonder status is hanging around their necks like a millstone carved into the shape of an albatross, and it is time for them to strike out into fresh waters, and discover a new sound which will win over doubters and former fans alike. What, you are no doubt asking, could this new sound be?
Ooh! Moody!
I tell ya, nothing says "I've grown up! I'm not a kid any more, and hey, we've shut that puppy up too" than strapping on a massive pair of ROCKTICLES and playing meaty riffs in front of a smashed up aeroplane. It's what you do whenever someone has called you a meaningless pop star often enough.
And if you can write a song which refers to your past, and hints that you're leaving it behind you, well that's even better. Throw in a reference to a '70s film star - the sort of movie star that grown-ups like - and you're practically wearing a big false beard and talking in an artificially deep voice about real ale and Top Gear.
Course, you can't hide from yourself, and so there are large parts of this which echo the pounding pop-rockery of 'Raoul' or 'Monster', especially the bits after the "teenage Steve McQueen" refrain in the second and third choruses. But that's OK, it's not like anyone is expecting them to have gone hip hop or anything.
So, a muscular reworking of the band's trademark sound, only without the really TRADEMARK trademark noise, which leaves them sounding a bit like just another rock band, but a million per cent less irritating than they used to.
Relatively speaking, it's a triumph!
Download: Out now
CD Released: August 18th
(Fraser McAlpine)
PS: is more convinced, plus they make a strong case for the Automatic to be considered alongside Lostprophets and Funeral For A Friend. Please don't shout, FAFF fans, he's got a point...
Comment number 1.
At 13th Aug 2008, HazelChartblog wrote:I really, really like this; I realise this is the kind of thing that will make people come round to my house and set fire to me but I'd actually compare The Automatic with McClusky, on a lot of levels (if we're on a welsh-band comparison spree) given their extreme lyrical cynicism and the spikiness of their music.
I just hope they haven't mellowed out to something dull with this second album but having one of YOURCODENAMEIS:MILO onboard probably means that's extremely unlikely.
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Comment number 2.
At 13th Aug 2008, igorah wrote:you mean FFAF fans? ;)
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Comment number 3.
At 13th Aug 2008, Fraser McAlpine - wrote:Or people who are fans of making too much of a fuss of things....
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Comment number 4.
At 14th Aug 2008, HazelChartblog wrote:At least he didn't use their other name. Which I don't think we'd be allowed to use but still.
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Comment number 5.
At 14th Aug 2008, glovecompartment wrote:as much as i hate the fact ycni:m are no more, its the automatics gain.
Im almost looking forward to the album.
Shame on fraser for not mentioning paul in the review.
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Comment number 6.
At 14th Aug 2008, Fraser McAlpine - wrote:Wait...SHAME? That seems a little unfair.
I'd have thought a public flogging, lava enema, G4 concert and THEN shame would be more appropriate.
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Comment number 7.
At 15th Aug 2008, glovecompartment wrote:g4 concert?!
nothing could be worth that. well almost nothing.
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