成人快手 Online Briefing: Spring 2012 Final Q&A
Post categories: 成人快手 Archive,听成人快手 Online,听Radio,听Radio & Music,听stakeholders
| 19:02 UK time, Friday, 11 May 2012
At the end of the 成人快手 Online Briefing, Tim Davie, Roly Keating and I sat down to take questions. Here is the video:
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Ralph Rivera is the Director, 成人快手 Future Media
Sarah Montague asked Roly Keating why the archive wasn't online,听and whether the 成人快手 should be more听relaxed about allowing people to use its platforms.
Scott Driver of O2 asked when the 成人快手 would refer to consumers rather than audience members.
His听colleague picked up a panel听discussion about supporting the streaming of听the Olympics, and talked about听how technology companies are organised for the challenge. His sentiment was tweeted by Paul Barwick:
it is true - this will be the first multi platform and multi media Olympics #bbconline -
, himself a former 成人快手 Radio journalist, asked what the supplier can do to听make sure听the relationship between supplier and 成人快手 goes well - and what can be learnt from when projects have gone badly.
Balaji Abbabatulla 鈥 (@balaabba) tweeted the heart of Ralph Rivera's answer:
Setting mutual expectations right is the key to successful relationships with suppliers @RalphRivera #bbconline -
Tim Davie talked about removing barriers, as Code Computerlove tweeted:
The 成人快手 are breaking down internal walls to share great ideas and agencies #watchthisspace #bbconline -
asked how quickly the ideas from Connected Studio can听be driven into the core of the business.
Tim Davie talked about the drivers behind the move from bespoke systems, but Ralph's comments about the听British words he's picked up gathered more social media comment.
Glyn Povah from O2 tweeted:
@ralphrivera thinks "we're on a journey" is code for "it'll take longer than we want". He is right. #code #bbconline -
Lee Thompson from BT Vision asked about Redux, which Sony's Edd Uzzell summed thus:
成人快手 Redux sounds like a better Usenet. 5+ years retention, all the content transmitted in that timeframe and growing. -
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