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Key learning points

• In order to fully understand Gothic literature, it is important to know where it came from and why it became such a popular fiction genre.

• When analysing gothic texts it's important to understand the context and conventions of Gothic literature so you can apply them to the text you're reading.

Gothic literature is a genre of fiction which first became popular during the 18th century.

Although many of the most famous Gothic novels were written during the Victorian times, conventions of the Gothic genre are still featured in popular culture today.

The term ‘Gothic’ originates from the name of an ancient Germanic tribe (The Goths) who are thought to have contributed to the fall of the Roman Empire. They had a reputation for being barbaric and later a form of architecture was named after them as sort of insult.

The term Gothic first became linked to literature with Horace Walpole's 1764 novel The Castle of Otranto, later subtitled A Gothic Story. This term was probably given because of the book's medieval Gothic architecture and setting.

Gothic literature can be recognised by its use of particular features, settings and characters.

Common conventions of the Gothic genre include the following:

Unlike horror stories, Gothic stories tend to create an atmosphere of tension and suspense for the reader using psychological techniques as opposed to relying on gore and violence to scare the reader.

For example, the novel The Castle of Otranto is set in a castle with mysterious, supernatural events and an innocent female victim.

More recently, The Twilight Saga novels have Gothic conventions like romance and supernatural creatures.

In Gothic literature, all these features and conventions can be used as symbols to suggest deeper ideas to a reader. Find out more about understanding symbolism.

Many Gothic stories have similar settings.

Isolated settings

• For example, many key scenes in Frankenstein are set in the Arctic and The Woman in Black is set in a house which is cut off from the mainland by the high tide.
• Isolated settings might be used because it is harder to escape when supernatural things begin happening.

Castles

• Particularly ruined castles.
• For example, Count Dracula’s castle is one of the key settings in Dracula and The Castle of Otranto is (unsurprisingly) set in a castle.

Night time

• Darkness allows for things to be hidden, which is another common feature of Gothic stories.
• Most people sleep when it is dark, this links night time settings to the Gothic theme of isolation.

Forests

• Forests can be very dark if the trees are dense.
• It is also quite easy to get lost in a forest.
• This is another way that characters can become isolated or trapped in Gothic stories.
• Some stories use castles or houses with lots of corridors for a similar reason.

Characters in Gothic stories often fit a particular type.

Creepy aristocrat

• This character is often rich, usually old and almost always isolated.
• They might be mysterious and misunderstood or evil and dangerous.
• One is example is Count Dracula from the novel Dracula.

A supernatural figure

• This character might be evil and is definitely scary.
• Examples include the creature in Frankenstein and the Other Mother in Neil Gaiman’s Coraline.

An innocent victim

• In early Gothic stories, this character was often a young girl, like Emily in The Mysteries of Udolpho.
• Later Gothic stories included young men in this role also.
• This character might be protected by their innocence, though they will probably be in great danger.

The antihero

• Some Gothic stories include a main character who does some things that the reader knows are wrong or bad.
• They can’t be considered the hero of the story because of this, but they are still the main character. Therefore they become the antihero.
• For example Dr Jekyll in The Strange Case of Dr Jekyll and Mr Hyde.
• These characters can be very interesting, as the reader isn’t sure whether they are good or bad.

There are some common motifs which are used in many Gothic stories.

Strange places

• Just like many Gothic stories are set in isolated locations, the motif of strange places puts characters somewhere strange and mysterious.

Transition or change

• Gothic stories often explore the consequences of change.
• To help them explore this, Gothic writers use motifs of change, like changing between the past and the modern day in Celia Rees’ Blood Sinister.

Power and powerlessness

• Many Gothic stories are about what happens when those with power misuse their power, or when those who are powerless try to fight back.
• This links to the characters of the aristocrat and the innocent victim and can be shown through characters being physically or metaphorically trapped.

Uncertainty

• Gothic novels tend to create a feeling of uncertainty, by making the characters and the reader question what they believe and what is real.
• This can be done through the use of isolated settings and the supernatural, but writers can also create this motif through the use of unreliable narrators, such as in The Tell-Tale Heart.

• An allegory is when a novel has a deeper meaning, beyond the simple events in the story.
• Some writers use Gothic stories as allegories for developments in society at the time.
• Through presenting Dracula as a mysterious character from Transylvania, who preys upon innocent people, it could be that Bram Stoker was commenting on the fear Western people had of Eastern cultures after the expansion of the British Empire.

• A juxtaposition is when two different ideas are presented side by side, emphasising their contrast.
• For example day and night or hot and cold.
• In Frankenstein, Mary Shelley presents a juxtaposition of science and religion.
• When Victor Frankenstein uses science to create ‘life’ he inadvertently creates a monster. His inevitable loss of control over this monster can be seen as a warning against humans turning their back on traditional religious beliefs.

• A parody is an imitation of something using exaggeration for comedic effect.
• As Gothic literature became more popular, parodies of the genre began to emerge.
• One of the most well-known examples of Gothic parody is Jane Austen’s Northanger Abbey.
• Austen, who is usually associated with romantic novels, decided to mock traditional Gothic conventions by exaggerating the features in her novel.