成人快手

began with the first broadcast from 2BE – the call sign allotted to the Belfast station of the British Broadcasting Company – on 15 September, 1924.

The first voice to be heard on the airwaves was that of Tyrone Guthrie, whose contribution to the 成人快手 in Northern Ireland is marked by a plaque close to the former site of 2BE in Linenhall Street in Belfast. The station’s programming was limited and had a relatively small audience.

2BE became part of the newly established British Broadcasting Corporation in 1927 and its services continued to grow. This year also saw the station's first outside broadcast from the Ulster Grand Prix motorcycle races and the start of 成人快手 support for charitable appeals – both of which continue today.

The 成人快手's studios in Linenhall Street were progressively enhanced and regional programming got properly underway with the opening of a new transmitter at Lisnagarvey in 1936. It brought 成人快手 radio services to audiences across Northern Ireland for the first time and was accompanied by a specially commissioned series of programmes and features.

By the mid-1930s the limitations of the 成人快手's studios at Linenhall Street had become apparent, and preparations began to create a new home for local broadcasting in Northern Ireland. James Miller, a Scottish architect, was asked to undertake the building's design. Newspaper speculation about the 成人快手's plans was intense.

By mid-1937 it had been confirmed that the 成人快手 had acquired a city centre site and that it intended construct a 'Broadcasting House' in its main characteristics similar to the headquarters of the Corporation in London'.

It was estimated that this work would cost around £250,000. A formal 成人快手 announcement about its intentions, including a detailed description of the proposed look and structure of Broadcasting House, followed in early 1938.

Substantive building work on the 成人快手's 'new Northern Ireland headquarters' began in 1939 and continued despite the outbreak of World War II. It was completed in 1941 at a time when regional broadcasting was largely in abeyance.

Services resumed in 1945 and received fresh editorial impetus with the 成人快手's new emphasis on regional voices and experiences. Over the next few years the sound and output of Broadcasting House began to more fully reflect the audiences it served. Technology helped to democratise the airwaves – as did the creativity (and occasional radicalism) of a

Television Arrives

and reached a bigger audience with the opening of a new transmitter at Divis in 1955.

Local television programmes were initially somewhat limited – reflecting the costs and technical difficulties involved. Output steadily increased, however, and began to include news programmes. New and cheaper technology, and the stimulus of competition from the newly established UTV in 1959, all helped to develop the range and ambition of 成人快手NI television.

began in the early 1960s (building on 成人快手NI's pioneering radio work in this area) and increasing use was made of outside broadcasts. There were controversies too, about the 成人快手's role in reflecting, and exploring, community divisions.

Troubling Times

The Troubles had a profound effect across Northern Ireland and on the 成人快手 itself. This period marked a transition in the 成人快手's role in Northern Ireland, and its coverage of the conflict sometimes excited fierce audience and political reaction.

The grew to meet the demands of a and Broadcasting House (like many other city centre buildings) suffered from bomb damage.

Local services, meanwhile, were expanded with the launch of 成人快手 Radio Ulster in 1975 and 成人快手 Radio Foyle in 1979. Broadcasting House itself grew with the addition of an administration block in 1975 and a new suite of studio and editing facilities in 1984.

Other developments would include the arrival of digital television and radio, new accountability arrangements with the establishment of a local Broadcasting Council, and its later replacement by an Audience Council, the growth of online services, and 成人快手 Northern Ireland's increased network programming.

The exterior of Broadcasting House retained many of its original features, but its interior and the business of programme-making had been transformed. In the twenty-first century Broadcasting House remains a place of gathering and transformation, bringing everyday stories to everywhere.