Main content

‘My worry is my care will be cut and I will end up in a care home’

Bristol City Council consults on ending independent living for some disabled people.

Budgets are tight at local authorities across the country and this week, Bristol City Council launched a consultation on what it calls its ‘Fair
and Affordable Care Policy’. Some residents fear the policy, if implemented, could see them relocated to care homes if that’s seen as “best value”
to the wider community.

We speak to Mark Williams, a Bristol resident and part of the Bristol Reclaiming Independent Living group and Mikey Erhardt who is a campaigner from Disability Rights UK.

Strictly Come Dancing is back for 2023 and, for the first time, the opening episode was audio described as it was being broadcast. We take a listen
to it, and Emma looks at the reaction amongst the blind community on social media.

And it’s been five years in the making, but a brand new whodunit has been released in London. Imposter 22 is co-created by learning disabled and autistic actors. We speak to Charlene Salter who has been involved since the beginning.

Due to unforeseen circumstances, Emma Tracey presents this week’s show with members of the production team putting in an appearance.

Sound recording and mixing by Dave O’Neill. Produced by Beth Rose, Emma Tracey, Jack Taylor, Drew Hyndman and guest Keiligh Baker.
The editor was Damon Rose. Exec editor Jonathan Aspinwall

Tell your smart speaker “Alexa, ask the ˿ for Access All” and you’ll get the very latest edition. Or subscribe to Access All via ˿ Sounds or wherever
you get your podcasts.

On the X platform we’re @bbcaccessall, Instagram bbcaccessall and you can email accessall@bbc.co.uk

Release date:

Available now

30 minutes

Transcript

21st September 2023

bbc.co.uk/accessall

Access All – episode 71

Presented by Emma Tracey

EMMA- You know your worst nightmare? You know your anxiety dream about work, where you go in and you think everything is going to be as you expected and then absolutely everything changes, and you’re right in the middle of it and have to get on with it and do it all anyway, and everything’s going wrong around you? Well, that was a little bit like what happened to me when I came in to work this morning. I was all set to do the podcast with Nikki, everything had been finalised, we were all ready to rock and roll and then I got this message:

NIKKI- I just wanted to send a voice note to say I’m so sorry I’m not on the podcast this week. This wasn’t planned. I was due to be in. but as many people who are a bit like me, physically disabled And need PAs, carers, whatever language you prefer, know well when your PA is off sick it can be very difficult. And my lovely PA has not been very well for a couple of days, and she was due to come back today but I found out very early this morning that she isn’t. And so I am just basically spending the day scrambling around trying to get the support that I need to do the bare basics and basically just get through the day.

EMMA- So, there you have it, no Nikki this week. She’ll be back next week. I hope everything sorts itself out for you, Nikki. In the meantime we’ve got a bunch of Access All people today, so here we go.

MUSIC- Theme music.

EMMA- Hello, this is Access All, the ˿’s disability and mental health podcast. I’m Emma Tracey coming to you from Edinburgh. And this week we’re going to be talking about one city council’s potential new policy which could see disabled people moving from their homes into residential care. We’re also going to be talking about Strictly and some audio description excitement happening there. So, stay tuned.

Independent living and choosing how you want your care managed that’s a crucial part of living a fulfilling life. But one English council has proposed cost saving measures which some residents fear could see them relocated to care homes if it’s seen as best value for the wider community. We have producer and chief writer of Access All stories, Beth Rose. You’ve seen her pop up all over the ˿ News websites, often on stories like this one. Beth, you’ve been working on this story, what’s been going on?

BETH- I have been. Thanks Emma. So, we’re talking about Bristol City Council and its draft proposals for a fair and affordable care policy, which as you say is around independent living and care needs. So, like all local authorities money is really tight for Bristol at the moment, and the council, which is headed by a Labour mayor, wants to make savings. So, it’s currently looking at whether costs can be cut when it comes to funding people’s independent living costs. So, those measures being put forward could include things like installing ceiling hoists to help someone get up and dressed rather than providing carers, and in some cases providing supported living or shared accommodation in residential homes if at home care is considered too expensive. And this would be for anyone eligible who is over the age of 18.

EMMA- So, Beth, is this legal? Is it something the council can do? I mean, aren’t there laws around this?

BETH- There are laws. There is something called The Care Act 2014 which is all about ensuring an individual’s wellbeing, and any potential changes to care must fit within that. Now, Bristol City Council say their plans meet that criteria because the Act specifies that local authorities can take into account their own financial position if it’s about meeting the needs of the entire local population. However, Disability Rights UK, that’s DRUK, say these plans absolutely do not fit within that particular legislation.

EMMA- Well, we will speak to Disability Rights UK in a moment. But first Mark Williams is a Bristol resident and part of the fabulously named BRIL, which is Bristol Reclaiming Independent Living group. Hi Mark, how are you?

MARK- Very well.

LILY- Very well.

EMMA- You’ve just heard Mark’s PA, Lily there. Now, some of Mark’s answers are written down already and Lily is going to read them out. And for other off the cuff answers Mark will speak and Lily will repeat what he says. Let’s get on with it. Mark, what were your thoughts when you first heard about these plans?

LILY- Mark’s asked me to speak. We are very worried that putting cost effectiveness above what disabled people actually need will have a major impact on the independence and quality of life of thousands of disabled people. We don’t think it’s compatible with the Care Act or potentially the Human Rights Act. Forcing people into care homes takes away our rights to make our own choices about where and how we live. It’s also a false economy. There are already people being discharged from hospital to places that aren’t right for them with no choice. The council are now saying openly in some cases it’s cheaper to do this than support people at home. But what about the long-term human cost? The council are also saying if you don’t agree with what they say you might get eligible or you might have to pay to get the right level of support. Many disabled people in Bristol are already among the poorest. We worry that this will stop people from asking for help, and that is very worrying. At the same time there is a wider message that pressures social workers to think about the best value and not supporting people to live the best life possible. I am actually a qualified social worker; a policy like this goes against the basic principles of what a social worker is meant to be.

EMMA- Wow Mark, you’re a qualified social worker so you really do know a lot about what’s going on.

MARK- Yeah.

EMMA- And have been able to manage your care. So, your care is through paid for personal assistants. What are your worries about your care management if this policy becomes a reality?

LILY- My worry is my care will be cut. And you will end up in a care home. So, when you had your last review they wanted you to have an hour on your own to make you more independent.

EMMA- What would happen with you during that hour?

LILY- I can’t do anything on my own. What if I needed the toilet?

EMMA- Okay, so an hour on your own is just not appropriate for you.

MARK- No.

EMMA- So, you have 24-hour care at home at the moment, is that right?

MARK- Yes.

LILY- I am very worried I will be made to have time without any help from my PAs, which means I would not be able to work and help other people. My needs are the same today, tomorrow and next month.

EMMA- It was independent living that got the disability movement going in the 1970s when disabled people didn’t feel like they had control of their lives and they wanted to fight for an independent life with accessible homes and with assistance.

MARK- Yes.

EMMA- And many will actually be shocked that one of the planks of disability rights is being threatened they’ll feel, I think. Mikey Erhardt is a campaigner with Disability Rights UK. Mikey, what does DRUK think of these proposals?

MIKEY- To put it simply we just don’t see any way that this matches up to the Care Act. The Care Act requires local authorities to promote their citizens’ wellbeing and meet eligible care and support needs in the way that best suits the person. There’s nothing in this fair and affordable policy that is strong enough in setting out Bristol City Council’s Care Act duties. It’s just not a workable policy. And I think to put it simply we just want to see it withdrawn. It’s not in anyone’s interests in Bristol. We all have the right to live in an inclusive society where everyone has a fulfilling life and feels connected and valued. And these proposed changes will cut people off from their communities, all in the service of a spreadsheet. And disability is a growing issue, right? The 2021 census showed that 1.2 million people between the ages of ten to 24 now declare themselves disabled. That’s double the amount of a decade earlier. And Unison, who are the country’s largest union, have warned that local authorities might not be able to offer disabled people the legal minimum of care as soon as next year. What’s happening in Bristol could easily be happening across the country as councils in back rooms are looking for ways to put a price tag on the care and support that disabled people need to be part of their community.

EMMA- Now, we do need to remember that this is a proposal at this stage. And actually Beth, it wasn’t Bristol City Council’s original idea; they took some ideas from somewhere else, didn’t they?

BETH- Yes. So, from our research we do know that Devon County Council was the first to implement these changes back in 2015, so eight years ago now. We did contact them to ask how many people in their area had moved from independent living to residential care as a result of the policy. And at the time of this recording we haven’t heard back from them on this point. But we do know that from other freedom of information requests submitted this year that the council says that it does not hold those figures. But it’s something that we’re hoping to keep pushing them on.

EMMA- Bristol City Council were invited onto the show but they declined. But they did send us this statement:

‘This proposed policy was co-developed with the Bristol City Council adult social care equalities forum, which includes representation from disability advocacy groups and people who draw on care and support, as well as a number of third sector organisations across the city. We will consider all the comments and feedback received during the consultation period before any decisions are made, and would encourage people to share their views.’

Can I say thank so much to Mark and Mikey and to Beth and to Lily as well. thank you.

MUSIC- Access All.

[Clip]

GEORGINA- They join in the applause and wave as they head off the dance floor. This is Strictly Come Dancing with live audio description [applause and cheering].

[End of clip]

EMMA- Yes. Honestly, I have been waiting for this for a very, very long time. If you had your audio description turned on on your telly Saturday night just gone you’ll have heard our Georgina Rose, fave audio describer, describing the first Strictly episodes live. And I’m so excited about it. And as you know, Nikki’s not here, so I have dragged our Keiligh Baker in from outside to talk to me about this because I just want to talk about it, please. Hello!

KEILIGH- Hi Emma, thanks for having me. Also I feel like we can’t go on without mentioning the opening scene was to Snaps’ Rhythm is a Dancer, the ‘90s dance classic.

EMMA- Let’s hear it Dave, let’s hear it.

[Clip]

GEORGINA- [Music Rhythm is a Dancer] Fireworks erupt behind the whole cast of professional dancers as they power up the Strictly Come Dancer ballroom floor. The dance floor is lit up with glimmering gold fans and art deco design mirrored on a spiral staircase just in front of the stage area.

EMMA- I mean, dancing on a spiral staircase that would not go well for me.

GEORGINA- The men, including Nikita and Giovanni, leap and spin, landing down on one knee, as Vito swings Jowita round with her legs wrapped around his waist.

KEILIGH- Ooh, spicy. She just doesn’t stutter.

GEORGINA- In the centre of the floor Vito holds Jowita under her arms as she wildly sways her body from side to side.

EMMA- Wildly!

GEORGINA- And the professional pairs dance in unison. The men do stag jumps then hold their partners’ wrists.

EMMA- Stag jumps. I’m thinking of a deer. There are deer in the woods behind my house. Do they jump like that?

GEORGINA- The frantic pace slows and the dancers give the audience steamy looks as they gather on and around the spiral staircase to strike a dramatic final pose [applause].

[End of clip]

KEILIGH- Ems, for you does this make you feel like you’re experiencing more?

EMMA- Yes, it absolutely does. I mean, as I say, before it was just the band and the singers and the audience, and some idea in my head about what might be happening. Now I know they’re jumping and leaping and diving about each other and in amongst each other and under each other, on top of each other, and on the floor and up in the air and all sorts of stuff, and who’s with who and who’s not with who. You know what I mean? It’s like twirling and whirling and all this stuff. I didn’t know any of that was going on. I mean, I assumed it was going on, but of course I assumed it was going on. I’m not stupid. There was dancing, I knew there was dancing. But I had no access to the dancing.

KEILIGH- Did you realise quite how fast paced it was until you heard that?

EMMA- No. And I only started watching it to be honest, I always thought it was not for me, Strictly just was not for me, and I only started watching it last year when Nikki was a big fan and I realised that it was audio described on iPlayer. So, I had to wait. It was on the Saturday and I had to wait till a Wednesday. Why I had to wait until the Wednesday is because that is when the signed version went out on iPlayer, so a new version, and it gave Georgina and the other describers a chance to work on it and get it right.

KEILIGH- Is this the first time that they’ve done audio description like this?

EMMA- Yes live. But before Georgina, our fave audio describer, would take the finished episode after it had gone out and then she would describe it. So, she would take it bit by bit, figure out what to say – we had her in to talk about this and she explained it all – and then she would add her voice over the top bit by bit. Whereas on this one she had to say it all as it was happening. So, if she needed to cough she just had to kind of hold it in or whatever. And she had to get the words out really fast because those dancers are really fast and so much happens. She’ll obviously have seen videos beforehand so she will know what’s going to happen, but she has to say it out in a stream rather than bit by bit, which is some feat. Fair play to her I think.

KEILIGH- This is a nerdy question for you, Emma. I don’t know if you’ll be able to answer it. When she is speaking over music, obviously the music dips down so you can hear her and then dips back up, is she the one in control of that during the live broadcast or will that be like a tech person?

EMMA- I believe Saturday gone she had her finger on a button.

KEILIGH- Oh my gosh.

EMMA- She had the power button.

KEILIGH- The pressure! The stress!

EMMA- I know. And that controlled the brilliantly named dipping information. So, it sends a message to the track which is the main broadcast on the bit where people have their audio description turned on that it needs to turn down so she can get in on top of it. ‘Let me speak’ button.

KEILIGH- Oh my gosh. That is genuinely terrifying. I would not be able to deal with the pressure of that.

EMMA- You’d end up putting your finger on the button when you’re not supposed to, and taking it off when you are. I know I would do that. So, I’d put my finger on the button and then sneeze, and then take it off it and then do some audio description [laughter].

KEILIGH- Yes. Honestly, I can’t believe she does it like that. That is truly terrifying.

EMMA- Well, Saturday gone this was a new thing this live audio description. And if you want to know whether it’s going to continue we need to listen in this coming Saturday night to find out.

KEILIGH- This smells like a future episode of Access All. You’re going to have to get Georgina in again to talk about it.

EMMA- I will because I still have a load of nerdy questions for her about that dipping information and that button and where she is and how it feels and what happens if she needs a wee and all that kind of stuff. It’s sort of the telly season has started, hasn’t it? It’s like autumn, it’s getting darker earlier, lots of new shows, the new seasons have started, the new series – I’m not in America. And one of the others that has just started, series 8 is Married At First Sight. Have you ever seen that?

KEILIGH- Oh yeah. it’s a real commitment though because those are long episodes and they’re long series, seasons.

EMMA- And they’re nightly, right?

KEILIGH- Yeah, I think so. They’re great but it’s a commitment. It’s like a Love Island level of commitment. You have to watch every episode. And you get so invested in these couples. There’s an Australian version as well which is also very popular. But it’s good.

EMMA- I can understand getting invested because I watched my very first episode, episode one of series 8 the other day, for a reason. Because there is a disabled woman in it. Get in. I like to watch everything with the disabled people in it. Don’t even ask me about Race Across the World.

KEILIGH- Disability rep.

EMMA- Race Across the World, I’ll talk about that later if you want as well.

KEILIGH- Oh lovely.

EMMA- It’s absolutely brilliant. But anyway, I watched my first episode of Married at First Sight, totally invested in Jay and Luke. And Jay is missing her left arm. Here we’ve got a clip:

[Clip]

JAY- My arm has had an impact sometimes with dating. Some people might get a bit cringed out by it. Obviously it’s not for everyone, is it? It’s something you don’t see every day. But it’s odd because you think why do you not want to know who I am. Like it’s rejection to a different level. It’s really took a toll on me because I just think that it’s never going to happen for me. Oh god, I’m getting a bit…yeah.

[End of clip]

KEILIGH- Oh, I mean I’ve got the feels.

EMMA- We spoke to Victoria Canal who’s missing part of an arm recently and she spoke also about feelings around that and around relationships. It really annoys me that people have these experiences. It really, really, really, really annoys me that these beautiful, fabulous, amazing, successful, interesting, clever women have these experiences and feelings about themselves. Grrr!

KEILIGH- Yeah, absolutely. And also everything you’ve just said about Jay, like she is amazing, and it’s so heartbreaking that she’s ever felt that her limb difference could stop her in any way. Em, I don’t know if you’re aware, I don’t know if they have audio description on Married At First Sight…

EMMA- They don’t.

KEILIGH- …but Jay has limb difference, she’s missing the lower part of her arm, but her upper arm is covered in these beautiful black and white tattoos.

EMMA- Oh, really?

KEILIGH- Yeah. But wait for it, when she got up onto the podium, stage, I’m not married, I don’t know what you call it, to meet her future groom [laughter] he also has black and white tattoos poking out of his suit. And I was like, oh fate, fate. I mean, it’s a small thing but I’m like they’re meant to be.

But she’s had amazing reaction from the community as well. I had a little look on her Instagram earlier and the amount of people who are saying – I mean, obviously we don’t like inspiration porn on this podcast – but people who also have limb difference or also have visible disabilities are saying we feel so seen because of you appearing on this show.

EMMA- Keiligh Baker this has been a pleasure. Thank you so much.

KEILIGH- Thank you for having me. It’s nice to speak to you.

EMMA- If you want to contact Access All you can email us accessall@bbc.co.uk. Or you can get in touch with us on X @˿AccessAll. We absolutely love to hear from you.

It’s interview time now. And this one was recorded a few weeks ago with myself and Nikki Fox.

NIKKI- It has been five years in the making, but a brand new whodunnit called Imposter 22 is about to premier at the Royal Court Theatre in London.

[Clip]

CHARLENE- They will talk fast and say long words and they will come quick and they will be the right words.

ACTOR- I know how you feel but it’s okay. You can use all those people who have said you are slow. You can take your revenge on them now.

[End of clip]

NIKKI- It’s been co-created by learning disabled and autistic actors. And one of those co-creators is Charlene Salter. And she’s been involved since the very beginning, and is playing the lead role of Chloe. And she’s with me in the studio. Hello Charlene.

CHARLENE- Hello.

NIKKI- Thank you so much for coming all the way in.

CHARLENE- Oh you’re welcome, thank you for having me.

NIKKI- Also, I’m going to mention, we’re joined by Heather Johnson. She’s on my right-hand side today, aren’t you, Heather? Now, Heather is a creative support worker at Access All Areas, which is the company that’s putting on this show.

HEATHER- Yeah, that’s right. It’s a co-production with the Royal Court and Access All Areas.

NIKKI- Beautiful. And Heather, you’re here to support Charlene if she needs anything at all, aren’t you?

HEATHER- Yeah, that’s right.

NIKKI- She came in and she was like, I’m not going to say anything, I’m not saying a thing. Well, Charlene, first off, how are rehearsals going? Tell me what you’re feeling.

CHARLENE- The rehearsals are going really well. We’re getting there. It’s challenging, it’s exciting. But we’re all looking after each other and that and supporting one another, so it’s really, really great.

NIKKI- When you’re going through the whole kind of rehearsal process what’s that main emotion that you feel?

CHARLENE- Just really feel empowerment because it’s like we’re kind of owning the Royal Court stage at the minute, so it’s really empowering, yeah.

NIKKI- I love that. You must be very proud of yourself because you co-created this.

CHARLENE- Yeah, it all came from us, from me and my other work colleagues. We created it with Hamish, the director, Molly the writer.

NIKKI- Dead impressive. And of course you’re playing the lead as well, Charlene. Now, you’re playing Chloe. What’s Chloe like?

CHARLENE- Chloe is a caring person, so she cares about the group. She knows if they’re feeling low, if they’re feeling down, she’s like there on the spot for them. And sometimes she self-doubts herself, so it’s like if she gets anything wrong she thinks it’s her fault. But throughout as you see Chloe’s journey, going through that journey her confidence really builds up.

EMMA- Charlene, the official line is that Imposter 22 is a ‘playful account of barrier navigation, the politics of neurodiversity, and the power of sharing a platform’. What does that mean?

HEATHER- We broke this down, didn’t we?

CHARLENE- Yeah.

HEATHER- Maybe we can talk first about the word playful. What does playful mean in Imposter 22?

CHARLENE- Well, let’s just say that you’re going to be in for a treat. There’s going to be raps, there’s going to be karaoke.

NIKKI- Raps did you say?

CHARLENE- There’s going to be raps, yeah.

NIKKI- Stop it. I’ve been learning raps lately.

CHARLENE- Oh wow.

NIKKI- I’ve just learnt Millionaire by Kelis and Andre 3000.

CHARLENE- Wow.

NIKKI- Where there’s cheese there are rats. I’m not going to go into it but that’s my rap. Carry on, there’s raps and what else have you got?

CHARLENE- Karaoke. Some of the actors will be playing two different characters as well.

NIKKI- Character swaps.

CHARLENE- Yeah. I think of people’s sentences in one of the lines. For me, for Chloe it is that she needs time. And with some people they talk really fast, really fast, and they don’t really let you finish the sentences. It’s like da, da, da, da. I wasn’t finished, you need to have time.

NIKKI- Give me time.

CHARLENE- Give me time, yeah. And me as a person we don’t have the courage to stand up and say, hold on, I wasn’t finished.

EMMA- Are there any other barriers, Charlene, for you as someone with a learning disability that you face in this job or in your life?

CHARLENE- I think it’s like that communication, and I think language barrier as well sometimes. And because for me I find really spelling and reading a bit too difficult, so that’s why I need help scribing and that. So, that’s kind of a struggle. I’ve actually had someone told me once that my writing wasn’t good enough, you need to do better doing the writing. It’s like hello, I’ve got a learning disability, come on.

EMMA- Do you feel particularly well supported then at Access All Areas, so at the theatre company that you work for?

CHARLENE- Oh yes, definitely. I think without Access All Areas I don’t think I’d be here doing what I do, doing what I love. Because at Access All Areas I’ve learnt to embrace what I’ve got with my disability. And I use that in my work. That’s what we do: we tell our life stories to open it and diverse, and to get across to people that we would like to work in the arts industry. Give us a chance and we’ll show you. We’ve got talent; you don’t always have to put us into certain boxes.

NIKKI- What do you want the audience to get out of this play, Charlene?

CHARLENE- I just want them to acknowledge and just see that as a learning disabled autistic cast that we can do these roles that a non-disabled actor can do.

NIKKI- You need to see more, don’t you?

CHARLENE- Yes.

NIKKI- So, you hope that. And also I imagine you want the audience to have a jolly good time. Can you tease me, like what song are you singing on karaoke? I’m obsessed. Are you allowed to tell me or do we have to keep it…?

CHARLENE- No, we have to keep that under wraps.

NIKKI- Oh Charlene!

CHARLENE- I’m sorry. I’ve got a good smile, but we want to keep you guessing and come and see the show.

NIKKI- You can charm me all you like Nikki Fox but I ain’t giving it away. Oh, I tell you what, that sounds amazing it really does. And you’ve been such a treat to talk to. Hasn’t she been a treat, Ems?

EMMA- An absolute delight. I think you’re really very passionate about people not stealing your sentences and allowing you to communicate in the way that you do, which is beautifully.

NIKKI- Beautifully.

EMMA- And so fair play, and thank you for telling us like it is.

NIKKI- Yes, and keep telling it like it is, eh, Charlene?

CHARLENE- Yeah I will.

NIKKI- Oh yeah.

CHARLENE- If they don’t I’ll send them your way, Nikki.

NIKKI- Yeah, and I’ll run them over in my scooter.

CHARLENE- Yeah [laughs].

NIKKI- I mean, maybe not. That’s a little bit…obviously I didn’t mean that. Good luck for the opening night. I’m excited for you. Imposter 22 will be at the Royal Court Theatre on 23rd September and it’s going to run until 14th October.

EMMA- What a superstar Charlene is, and what an interesting play to go and see over the next few weeks if you’re in London.

That’s it for another week on Access All. Thank you for sticking with me and my ragtag bunch. You can get in touch with us, please do. Email us accessall@bbc.co.uk, and we’re on X, Twittery X, we’re ˿AccessAll on there. And you can even ask your speaker, you can say to the A Lady – that’s the one that sounds a little bit like dyslexia but doesn’t really – you can say ‘Ask the ˿ for Access All’ and it will play the latest episode of this podcast. What wizardry is that? See you next week. Goodbye.

[Trailer for Americast]

JUSTIN- So, Sarah, we’ve been asked to put together a trailer for Americast. What do you think we should put in?

SARAH- Well is it too obvious to just say we’ll be covering all the bigger stories that are coming out of America?

MALE- There’s a phrase which has been bouncing around since the Trump presidency, which is LOL, Nothing Matters. And the things that would matter don’t seem to matter anymore.

JUSTIN- I think that works but it’s, well it’s not just that, is it? We need to talk as well about the undercover voters investigation, what’s happening online, what everyone’s getting in their social media feeds.

FEMALE- What they allow us to see is what someone who has a specific set of views or is from a specific demographic or a specific place might be seeing on their feeds.

SARAH- And of course we’ve also got to mention all the amazing guests and experts that we have on the show helping us understand the stories.

FEMALE- This is a great talking point for him in the court of public opinion, but it is not going to go very far in a court of law.

JUSTIN- And Americast of course isn’t just about politics and news, is it? Can we get something in about the more cultural, the social stuff too?

FEMALE- It kind of is in keeping with the conversations that we’re having in this country about race and colonialism and the legacy of those things.

SARAH- Yeah, as long as you include that I think that about covers what we do.

JUSTIN- And then all I need to say at the end is: Americast is a podcast from ˿ News, and you can find it on ˿ Sounds.

SARAH- Yeah, well you have just said that.

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