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‘Mothers have such a weight of idealisation and expectation landed upon their bodies and their minds and what women writers can do is to take that apart and explore
its underbelly,’ says feminist writer Jacqueline Rose.

Whether worshipped or vilified, treated as lifetime confidantes or rarely trusted, the mothers we meet when we write them are re-inventions. Some may be closer to the
truth than others. Many of them will have roots in the life experiences of the daughter-writer. Virginia Woolf, who lost her mother at the age of 13, said she was obsessed with writing her mother. Eventually she also argued that it was ‘the occupation of the woman writer to kill’ what she called ‘The Angel in the House’ – the perfect, self-sacrificing mother – who may well have been her own maternal influence.

Drawing on interviews with Maya Angelou, we hear how for her to write her mother was to ‘write about a hurricane in its perfect power’. She describes how the influence of a mother who ‘abandoned’ her as a child forced her most urgent examinations of class, race and, importantly love. In another frank interview with Marguerite Duras from 1968, she describes writing as a search for connection with her raging and ‘mad’ mother. For Sylvia Plath, the process of writing about becoming a mother herself in the 1950s produced work of a psychic intensity rarely seen before.

What the archive ultimately reveals is that a mother, whether present or absent, loving or cruel, might be as formative an influence on a writer’s work, as in life. ‘When I read about motherhood, I want to be shaken loose from whatever limitations I have when I think about what that means,’ says the writer Siri Hustvedt.

With contributions from Susie Orbach, Jacqueline Rose, Kit de Waal and Siri Hustvedt, and narration from Amaka Okafor.

Produced by Sarah Cuddon
A Falling Tree production for ³ÉÈË¿ìÊÖ Radio 4

Archive sources:
Desert Island Discs with Arundhati Roy (2017)
A Chance to Meet ... Edna O'Brien (1971)
Sylvia Plath, Peter Orr interview (1962)
Audre Lorde, Pacifica Radio Archives and Academy of American Poets www.poets.org
Maya Angelou, ³ÉÈË¿ìÊÖ News (1985)
Jeannette Winterson, Oranges Are Not the Only Fruit (³ÉÈË¿ìÊÖ, 1990) and Face To Face (³ÉÈË¿ìÊÖ, 1994)
Marguerite Duras, Worn Out With Desire To Write (1985)
Toni Morrison, Brief Encounters (³ÉÈË¿ìÊÖ, 2001)
Jackie Kay, Book of the Week (The Waters Company for ³ÉÈË¿ìÊÖ R4, 2015)
Elena Ferrante, Lying Lives of Adults (³ÉÈË¿ìÊÖ, 2020)