An Affair of the Heart
Donald Macleod recounts how and why Mel Bonis came to find her musical training at an abrupt end. It was a circumstance that irrevocably changed the course of her life
Donald Macleod recounts how and why Mel Bonis came to find her musical training at an abrupt end. It was a circumstance that irrevocably changed the course of her life.
Mel Bonis's name may not be a familiar one these days, but she produced somewhere in the region of three hundred compositions. There's no doubt that she was sensitive to gender discrimination. It's why she chose to publish her music under the name of Mel rather than her birth name M茅lanie.
She was born in 1858 to parents of modest means. Her father worked for the watch company Breguet, still in business today, and her mother worked in the haberdashery trade. Neither of them held any particular interest in music, so it was down to young M茅lanie to teach herself the play the family's piano. Her talent was recognised by a visiting friend who facilitated a meeting with one of the leading lights of the day, C茅sar Franck, an esteemed professor of organ at Paris's prestigious Conservatoire. M茅lanie enrolled and showed great promise as a student, winning several end of year prizes. Her studies came to an abrupt end when her parents refused to give their consent to her marriage to a fellow student there, a poet, critic and singer, Am茅d茅e Hettich. Her life took a sharp turn two years later when, at the instigation of her parents, she married a twice widowed man of comfortable means. Thereafter her life as a composer had to take a back seat to the demands of raising five step-children and three of her own children with her husband, Albert Domange. Even so, she managed to continue to compose, producing music for her own instrument, the piano, and in almost every other genre as well.
One of the most important relationships of Mel Bonis's life was with Am茅d茅e Hettich. Originally a fellow student, the pair of them collaborated on song writing projects.
Valses-caprice, Op 87
Laurent Martin and Claudine Simon, piano four hands
El猫ve toi mon 芒me
Laetitia Grimaldi, soprano
Ammiel Bushakevitz, piano
L鈥橭iseau Bleu, Op 74
成人快手 Singers
Elizabeth Burgess, piano
Grace Rossiter, conductor
Cello sonata in F major, Op 67 鈥� I. Moderato quasi andante
Thomas Blees, cello
Maria Bergmann, piano
Suite en forme de valses, Op 35 to 39
The Bucharest Symphony Orchestra
Ben么it Fromanger, conductor
La chanson de Rouet, Op 24
Carillon mystique, Op 31
Maria Stembolskaya, piano
Les Gitanos, Op 15 No 2
Laurent Martin, piano
Suite en Trio, Op 59
Trio Empreinte
Clara Abou, violin
脡milie Heurtevent, soprano saxophone
Anne de Fornel, piano
Salom茅, Op 100
成人快手 Symphony Orchestra
Rumon Gamba, conductor
Produced by Johannah Smith for 成人快手 Audio Cardiff
Last on
Music Played
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Mel Bonis
Eleve-toi mon ame, Op 22
Performer: Ammiel Bushakevitz. Singer: Laetitia Grimaldi.- BIS : 2546.
- BIS.
- 2.
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Mel Bonis
L'oiseau bleu Op.74
Choir: 成人快手 Singers. Performer: Elizabeth Burgess. Conductor: Grace Rossiter. -
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Mel Bonis
Cello Sonata in F major, Op 67 (1st Mvt)
Performer: Thomas Blees. Performer: Maria Bergmann.- SWR : 10313.
- SWR Digital.
- 6.
-
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Mel Bonis
Suite en forme de valses
Orchestra: Bucharest Symphony Orchestra. Conductor: Beno卯t Fromanger.- CL 1287.
- Le Chant de Linos.
- 1.
-
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Mel Bonis
La chanson de Rouet, Op 24
Performer: Maria Stembolskaya.- Ligia : 107324.
- Ligia.
- 14.
-
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Mel Bonis
Carillon mystique, Op 31
Performer: Maria Stembolskaya.- Ligia : 107324.
- Ligia.
- 10.
-
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Mel Bonis
Les gitanos, Op 15, No 2
Performer: Laurent Martin.- Ligia : 106918.
- Ligia.
- 17.
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Mel Bonis
Suite en trio, Op 59
Ensemble: Trio Empreinte.- KLA : 019D.
- Klarthe.
- 4.
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Mel Bonis
Salom茅 Op.100
Orchestra: 成人快手 Symphony Orchestra. Conductor: Rumon Gamba.
Broadcast
- Wed 25 Jan 2023 12:00成人快手 Radio 3
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