Father Franck
Donald Macleod examines Franck's unorthodox methods and why he was to become such a revered teacher.
Donald Macleod examines Franck's unorthodox methods and why he was to become such a revered teacher.
It seems as if Franck's diffident character positively hindered his advancement. He wasn't interested in moving in glamorous social circles, and lived, according to one visitor who called on him the year before he died, "like a monk". This natural reticence may be why the composer of popular works such as the Violin Sonata, the Piano Quintet, a ground-breaking String Quartet and the glorious Symphony in D found that all too often his critics were quick to find fault and were slow to recognise his worth. He had some disappointments to bear, in an age when opera was thriving, none of his four operas saw the light of day in his lifetime. Recognition for his two major choral works, La Rédemption and Les Béatitudes was to come after his death in 1890 at the age of 67.
Franck did enjoy some support. Early on, Liszt recognised his talent and did his best to help him get his work performed, and later on a band of his pupils, among them the composer Vincent d'Indy did their best to promote their beloved teacher's music.
To mark the 200th anniversary of Franck's birth, Donald Macleod spends the week delving a bit deeper into this enigmatic and complex character from his early compositions which pay homage to Liszt and the pianistic tradition of Hummel, to the wonderfully vivid pictorial canvas of Le Chasseur maudit.
In 1872 his old professor of organ at the Paris Conservatoire retired after 53 years in the post. When Franck was appointed, no-one was more surprised than himself!
Les plaintes de la poupée
Stephen Hough, piano
Violin Sonata, op 23
I. Allegretto ben moderato
Lisa Batiashvili, violin
Giorgi Gigashvili, piano
Prélude, Choral et Fugue, M21
Bertrand Chamayou, piano
Les Béatitudes
No 2: Selig sind die sanftmutigen (Blessed are the meek)
Diana Montague, mezzo soprano
Keith Lewis, tenor
Gilles Cachemaille, baritone
Reinhard Hagen, bass
Gächinger Kantorei
Radio-Sinfonieorchester Stuttgart des SWR
Helmuth Rilling, conductor
Le Chasseur maudit
Royal Scottish National Orchestra
Jean-Luc Tingaud, conductor
Producer: Johannah Smith
Last on
Music Played
-
César Franck
Les plaintes de la poupee
Performer: Sir Stephen Hough.- HYPERION : Hyperion-CDA66918.
- HYPERION.
- 10.
-
César Franck
Violin Sonata in A major, Op (1st mvt)
Performer: Lisa Batiashvili. Performer: Giorgi Gigashvili.- Deutche Grammophon : 4860462.
- Deutche Grammophon.
- 1.
-
César Franck
Prelude, Choral et Fugue
Performer: Bertrand Chamayou.- NAIVE : V5208.
- NAIVE.
- 1.
-
César Franck
Blessed are the meek (Les Beatitudes, No 2)
Singer: Diana Montague. Singer: Keith Lewis. Singer: Gilles Cachemaille. Singer: Reinhard Hagen. Choir: Gächinger Kantorei Stuttgart. Orchestra: Stuttgart Radio Symphony Orchestra. Conductor: Helmuth Rilling.- HANSSLER : HAEN98548.
- HANSSLER.
- 2.
-
César Franck
Le Chasseur Maudit
Orchestra: Royal Scottish National Orchestra. Conductor: Jean-Luc Tingaud.- NAXOS : 8.573955.
- NAXOS.
- 1.
Broadcast
- Thu 8 Dec 2022 12:00³ÉÈË¿ìÊÖ Radio 3
Vaughan Williams Today
Beethoven Unleashed – the box set
What was really wrong with Beethoven?
Composers A to Z
Who knew? Five eye-opening stories from Composer of the Week
Five reasons why we love Parry's Jerusalem
What is the strange power of Jerusalem which makes strong men weep?
A man out of time – why Parry's music and ideas were at odds with his image...
The composer of Jerusalem was very far from the conservative figure his image suggests.
Composer Help Page
Find resources and contacts for composers from within the classical music industry.