Pr茅lude 脿 l'apr猫s-midi d'un faune: Half Man, Half Myth, All Debussy
Tom Service plunges into the heady sound world of the Pr茅lude 脿 l'apr猫s-midi d'un faune.
Tom Service plunges into the heady sound world of Debussy's Pr茅lude 脿 l'apr猫s-midi d'un faune.
"The flute of the faun brought new breath to the art of music" according to composer Pierre Boulez - how does Debussy do it? A ten-minute piece of music that apparently broke all the existing rules of harmony and yet is as minutely detailed as any miniature.
And what do flautists make of the famous opening solo - we hear from principal flute player with the London Symphony Orchestra, Gareth Davies, who demonstrates Debussy's strange magic on a flute of the time.
Last on
More episodes
Music Played
-
![]()
Claude Debussy
Prelude a l'apres-midi d'un faune
Performer: London Symphony Orchestra. Conductor: Fran莽ois鈥怷avier Roth.- LSO LIVE.
- LSO0821D.
-
![]()
Claude Debussy
Clair de lune for voice and piano [1882] ['Chanson de jeunesse']
Performer: Natalie Dessay. Performer: Philippe Cassard.- Warner Classics.
- 190295652562.
-
![]()
Claude Debussy
Suite bergamasque for piano
Performer: Jean-Efflam Bavouzet.- CHANDOS.
- CHAN 10743.
-
![]()
Claude Debussy
Fetes galantes - volume 1 for voice and piano
Performer: V茅ronique Gens. Performer: Roger Vignoles.- WARNER.
- 0724354536052.
-
![]()
Claude Debussy
Reverie for piano
Performer: Jean-Efflam Bavouzet.- CHANDOS.
- CHAN 10467.
-
![]()
John Richard Deacon
JOHN RICHARD DEACON: I want to break free
Performer: Queen.- EMI.
- 00602527594354.
-
![]()
Pierre Boulez
Pli selon pli, portrait de Mallarme
Performer: 成人快手 Symphony Orchestra. Conductor: Pierre Boulez.- WARNER.
- 825646208364.
-
![]()
Edgard Var猫se
Density 21.5 for flute solo
Performer: Laurel Zucker.- CANTILENA RECORDS.
- 757166601922.
-
![]()
Claude Debussy
Syrinx for flute solo
Performer: Emmanuel Pahud.- ERATO.
- 0190295773960.
Broadcasts
- Sun 4 Dec 2022 17:00成人快手 Radio 3
- Fri 9 Dec 2022 16:30成人快手 Radio 3
- Sun 18 Feb 2024 17:00成人快手 Radio 3
- Fri 23 Feb 2024 16:30成人快手 Radio 3
Why do we call it 'classical' music?
Tom Service poses a very simple question (with a not-so-simple answer).
Six of the world's most extreme voices
From babies to Mongolian throat singers: whose voice is the most extreme of all?
How did the number 12 revolutionise music?
How Schoenberg opened a new cosmos for composers and listeners to explore.
Why are we all addicted to bass?
Bass is everywhere, but why do we enjoy it? Join Tom Service on a journey of discovery.
Watch the animations
Join Tom Service on a musical journey through beginnings, repetition and bass lines.
When does noise become music?
We like to think we can separate 鈥渘oise鈥� from 鈥渕usic鈥�, but is it that simple?
Podcast
-
![]()
The Listening Service
An odyssey through the musical universe, presented by Tom Service
