Bruce Broughton
Matthew meets Bruce Broughton, Hollywood composer of Silverado, The Young Sherlock Holmes and Lost in Space, for a look back at his career in film music.
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Music Played
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Thomas Newman
The Player "Main Title"
Orchestra: Studio Orchestra. Conductor: Thomas Newman.- The Player (Original Motion Picture Soundtrack).
- Varese Sarabande.
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Thomas Newman
Shawshank Redemption 聳 End Title
Performer: Studio Orchestra.- The Shawshank Redemption (Original Motion Picture Soundtrack).
- Epic Soundtrax.
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John Williams
Return Of The Jedi "Darth Vader's Death"
Orchestra: Utah Symphony. Conductor: Varujan Kojian.- The Star Wars Trilogy.
- Varese Sarabande.
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Thomas Newman
Wall-E "Wall-E"
Orchestra: Studio Orchestra.- Wall-E (An Original Walt Disney Records Soundtrack).
- Walt Disney Records.
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Thomas Newman
American Beauty "Dead Already"
Orchestra: Studio Orchestra.- American Beauty (Original Motion Picture Soundtrack).
- Geffen.
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Thomas Newman
Bridge of Spies "End Title"
Orchestra: Studio Orchestra.- Bridge Of Spies.
- Hollywood Records.
- 13.
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Thomas Newman
Skyfall "She's Mine"
Orchestra: Studio Orchestra. Conductor: Thomas Newman.- Skyfall (Original Motion Picture Soundtrack).
- Sony Classical.
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Thomas Newman
1917 "The Night Window"
Orchestra: Studio Orchestra. Conductor: Thomas Newman.- 1917 (Original Motion Picture Soundtrack).
- Sony Classical.
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Yip Harburg
Munchkinland Musical Sequence (Rehearsal Demo)
Composer: Harold Arlen.- The Wizard of Oz (Original Motion Picture Soundtrack) [Deluxe Edition].
- WaterTower Music.
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Harold Arlen
The Wizard of Oz "Munchkinland Musical Sequence"
Composer: Yip Harburg. Orchestra: Studio Orchestra.- The Wizard of Oz (Original Motion Picture Soundtrack) [Deluxe Edition].
- WaterTower Music.
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Thomas Newman
Operation Mincemeat "Submarine Rises"
Orchestra: Studio Orchestra.- Operation Mincemeat (Soundtrack from the Netflix Film).
- Lakeshore.
Broadcasts
- Sat 16 Apr 2022 15:00成人快手 Radio 3
- Sat 14 Jan 2023 15:00成人快手 Radio 3
Moon River: The story of the 1962 Oscars Best Song winner
Podcast
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Sound of Cinema
Matthew Sweet's weekly look at music for the screen