Boy from Bologna
Donald Macleod examines Respighi’s deep connection with his home city of Bologna.
Donald Macleod examines Respighi’s deep connection with his home city of Bologna.
This week, we’re invited to explore the richly evocative musical landscape of Ottorino Respighi. The colourful inventiveness of his most popular music was often inspired by images, places or stories, like his trio of ‘Tone Poems’: Pines of Rome, Fountains of Rome, and Roman Festivals. These works and others were frequently championed by celebrated conductor, Arturo Toscanini, and Respighi rose to become one of the leading Italian composers of the 20th century. He remains hugely popular with orchestras and audiences today. Respighi’s trademark orchestral brilliance betrays the influence of his Russian mentor, Rimsky-Korsakov. He was also fascinated by early music and sometimes incorporated antique styles into his works. In this series, Donald Macleod explores Respighi’s life and music from different perspectives, including his associations with Bologna, Rome and the USA, the important presence of his wife, Elsa, and also his complicated relationship with Toscanini.
Respighi was born in Bologna in 1879, and the city would have a lasting influence upon the composer, even after he’d moved to Rome. It was here, as a young man, that Respighi first discovered his interest in the music of the Renaissance and Baroque, which would have a great impact on his future compositions. Also in Bologna, he began performing in the Theatre Orchestra, a job which eventually led him to St. Petersburg where he encountered, Rimsky-Korsakov. Bologna also boasted a number of second-hand bookshops, where Respighi enjoyed spending his time. Over the years he amassed several thousand volumes, some of which inspired operas and songs.
Adagio con variazioni, P. 133
Sol Gabetta, cello
Danish National Symphony Orchestra
Mario Venzago, conductor
Violin Sonata in B minor, P. 110 (Moderato)
Tasmin Little, violin
Piers Lane, piano
Burlesca per Orchestra, P. 59
³ÉÈË¿ìÊÖ Philharomonic
Gianandrea Noseda, conductor
Notte. P. 55a
Pia Heise, mezzo-soprano
Roger Vignoles, piano
Nebbie, P.64
Angela Gheorghiu, soprano
Malcolm Martineau, piano
Aretusa, P. 95
Linda Finnie, mezzo-soprano
³ÉÈË¿ìÊÖ Philharmonic
Richard Hickox, conductor
Produced by Luke Whitlock, for ³ÉÈË¿ìÊÖ Wales
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Music Played
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Ottorino Respighi
Adagio Con Variazioni
Performer: Sol Gabetta. Orchestra: Danish National Symphony Orchestra. Conductor: Mario Venzago.- RCA : 88697-630812.
- RCA.
- 10.
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Ottorino Respighi
Violin Sonata in B minor (Moderato)
Performer: Tasmin Little. Performer: Piers Lane.- Chandos CHAN 10749.
- Chandos.
- 4.
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Ottorino Respighi
Burlesca per Orchestra
Orchestra: ³ÉÈË¿ìÊÖ Philharmonic. Conductor: Gianandrea Noseda.- CHANDOS : CHAN-10388.
- CHANDOS.
- 1.
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Ottorino Respighi
Notte
Performer: Roger Vignoles. Singer: Pia Heise.- DANACORD : DACOCD-720.
- DANACORD.
- 13.
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Ottorino Respighi
Nebbie
Performer: Malcolm Martineau. Singer: Angela Gheorghiu.- DECCA : 458-360-2.
- DECCA.
- 3.
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Ottorino Respighi
Aretusa
Singer: Linda Finnie. Orchestra: ³ÉÈË¿ìÊÖ Philharmonic. Conductor: Richard Hickox.- CHANDOS : CHAN-9453.
- CHANDOS.
- 7.
Broadcast
- Mon 21 Feb 2022 12:00³ÉÈË¿ìÊÖ Radio 3
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