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Pianist Igor Levit talks to Tom Service about his latest epic recording project – three and a half hours of music by Dmitri Shostakovich and the Scottish composer Ronald Stevenson. No stranger to large-scale works he live-streamed Erik Satie’s Vexations during lockdown playing 840 repetitions over 16 hours as part of his online House Concerts. He discusses the huge challenges on every page of Stevenson’s Passacaglia and the contradictions of his life as a pianist and his political beliefs.

Folk singer Martin Carthy and former High Court judge and part-time song collector Stephen Sedley join Tom to talk about their new book, ‘Who Killed Cock Robin: British Folk Songs of Crime and Punishment’, which explores the legal and moral basis of some of the most moving songs in the folk traditions of the country. We hear recordings by Martin Carthy, Shirley Collins, Rachel Newton and a 1953 archive recording of Ewan MacColl singing ‘McCaffery’, provided by the School of Scottish Studies Archives.

As Russians go to the polls, we look at what the recent decline in freedoms means for artists and musicians in and out of the country. Tom speaks to Masha Alekhina, co-founder of the musical and protest collective Pussy Riot, who has just been sentenced to a year of ‘restricted freedom’ for promoting protests in support of the jailed opposition leader, Alexei Navalny. We’re also joined by the ³ÉÈË¿ìÊÖ's Moscow correspondent Sarah Rainsford who was recently expelled from Russia after more than 20 years of reporting from Moscow, and pianist Katya Apekisheva who, alongside hundreds of other classical musicians, signed a letter to Vladimir Putin in February calling for the release of Alexei Navalny.

And composer Joseph Horovitz shares stories from his life in music. Having fled Vienna as a child in 1938, he began his musical career in Britain as a music lecturer for the army before working as a ballet conductor and finally a composer. His music draws on a huge range of styles, especially jazz, as can be heard in his Jazz Harpsichord Concerto which was performed by Mahan Esfahani and the Manchester Collective at this year’s Proms. He talks to Tom about how his deeply personal fifth string quartet reflects his experiences of escaping Vienna, and how he finds new inspiration every day from the music around him.