Prodigy
Donald Macleod explores the life and music of George Walker, in conversation with the composer鈥檚 son Gregory. Today, Walker looks set for a glittering career as a concert pianist.
Donald Macleod explores the life and music of George Walker, in conversation with his son Gregory. Today, Walker looks set for a glittering career as a concert pianist.
When Rosa King Walker announced to her five-year-old son George that, like it or not, he was going to have piano lessons, she can scarcely have been aware that she was dispatching him on a lifelong journey in music. Like many middle-class African-American parents of her generation, she had probably just wanted to make sure that her son was au fait with an important aspect of the 鈥榙ominant鈥 culture. But things quickly escalated beyond his mother鈥檚 original intentions. The boy took to the piano like a duck to water, and by his mid-teens he was off to pursue undergraduate music studies at Oberlin Conservatory in Ohio. After that came a period of post-graduate study at Philadelphia鈥檚 Curtis Institute under the tutelage, among others, of the legendary Rudolf Serkin. Walker鈥檚 concerto d茅but came at the age of 23, when he performed one of the most challenging works in the repertoire, Rachmaninov鈥檚 3rd Piano Concerto, with the Philadelphia Orchestra, no less, under the great Eugene Ormandy. A stellar career on the concert platform surely beckoned, but in the event, things were not so straightforward. It took five years for Walker to find himself an agent, and when he finally did, he was told that it would be difficult getting bookings for a black classical pianist 鈥 a prediction which turned out, in the America of the 1950s, to be accurate. Walker had better luck in Europe, where he toured in 1953, but stress got the better of him and he developed a debilitating stomach ulcer. So gradually he began to turn his back on the idea of a solo career, gravitating instead towards a life in teaching 鈥 and, increasingly, composition.
Response (Laurence Dunbar)
Phyllis Bryn-Julson, soprano
George Walker, piano
String Quartet No 1 (1st mvt)
Son Sonora String Quartet
Lyric for Strings
London Symphony Orchestra
Paul Freeman, conductor
Piano Sonata No 1 (2nd and 3rd mvts)
George Walker, piano
Cello Sonata (2nd mvt)
Emmanuel Feldman, cello
Joy Cline-Phinney, piano
Trombone Concerto
Christian Lindberg, trombone
Malm枚 Symphony Orchestra
James DePriest, conductor
Produced by Chris Barstow for 成人快手 Wales
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Music Played
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George Walker
Response
Performer: George Walker. Singer: Phyllis Bryn鈥怞ulson.- CRI CD 719.
- CRI.
- 10.
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George Walker
String Quartet No 1 (1st movement)
Ensemble: Son Sonora String Quartet.- ALBANY TROY1082.
- ALBANY.
- 1.
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George Walker
Lyric for strings
Orchestra: London Symphony Orchestra. Conductor: Paul Freeman.- SONY G010000 3978870R.
- SONY.
- 5.
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George Walker
Piano Sonata No 1 (2nd and 3rd movements)
Performer: George Walker.- ALBANY TROY117.
- ALBANY.
- 13.
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George Walker
Cello Sonata (2nd movement)
Performer: Emmanuel Feldman. Performer: Joy Cline-Phinney.- DELOS DE3449.
- DELOS.
- 10.
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George Walker
Concerto for trombone and orchestra
Performer: Christian Lindberg. Orchestra: Malm枚 SymfoniOrkester. Conductor: James DePreist.- BIS CD628.
- BIS.
- 4.
Broadcasts
- Mon 6 Jan 2020 12:00成人快手 Radio 3
- Mon 25 Oct 2021 12:00成人快手 Radio 3
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