成人快手

Over the last 40 years, Mark Morris has established a reputation as the most musical of choreographers. Inspired by both baroque and twentieth-century music, he鈥檚 most famously choreographed Purcell鈥檚 鈥淒ido and Aeneas鈥� 鈥� he danced both Dido and the sorceress himself - and his witty version of The Nutcracker, 鈥淭he Hard Nut鈥�, has been so popular that it鈥檚 been staged every year for almost 30 years. Mark Morris has worked in opera too, directing and choreographing productions for the Metropolitan Opera, the English National Opera and The Royal Opera, among others. He tours extensively but home is the Mark Morris Dance Center in Brooklyn, which runs outreach programmes into the local New York community. He鈥檚 received numerous awards, including the Leonard Bernstein Award for the Elevation of Music in Society.

In a humorous and revealing interview, Mark Morris looks back on his childhood in Seattle and his childhood passion for music and dance. It wasn鈥檛 very socially acceptable for a boy to become a dancer: 鈥淚f you were in dance, you were a sissy. But I also was a sissy so what鈥檚 the problem?鈥� He talks too about losing many friends to AIDS, and fearing that his own time was limited, a pressure that created a manic burst of creative energy.

Music choices include Germaine Tailleferre, a French composer from the twenties whom he believes is unjustly neglected; Scarlatti; Handel; Lou Harrison; and Erik Satie.

Produced by Elizabeth Burke
A Loftus production for 成人快手 Radio 3