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READING LIST:

The New English Bible with the Apocrypha (Oxford University Press, 1970)

Alice Bach, Women, Seduction and Betrayal in Biblical Narrative (Cambridge University Press, 1997)

Mieke Bal (ed.), The Artemisia Files: Artemisia Gentileschi for Feminists and Other Thinking People (University of Chicago Press, 2005), especially ‘Feminist Dilemmas with the Art/Life Problem’ by Griselda Pollock

R. Ward Bissell, Artemisia Gentileschi and the Authority of Art: Critical Reading and Catalogue Raisonné (Pennsylvania State University Press, 1999)

Giovanni Boccaccio (trans. Guido Guarino), On Famous Women (first published 1374; Italica Press, 2011)

Bodo Brinkmann, Cranach: Exhibition catalogue (Royal Academy, 2008)

Keith Christiansen and Judith Mann (eds.), Orazio and Artemisia Gentileschi (Yale University Press, 2001)

Mary D. Garrard, Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art (Princeton University Press, 1989)

Germaine Greer, The Obstacle Race: The Fortunes of Women Painters and Their Work (Farrar, Straus and Giroux, 1979)

James Hall, Dictionary of Subjects and Symbols in Art (first published 1974; John Murray, 1989)

Howard Hibbard, Caravaggio (Icon, 1983)

Alexandra Lapierre (trans. Liz Heron), Artemisia: The Story of a Battle for Greatness (Vintage, 2001)

Patricia Lee Rubin and Alison Wright, Renaissance Florence: the Art of the 1470s (National Gallery, 1999)

Caroline P. Murphy, Lavinia Fontana: A Painter and Her Patrons in Sixteenth-century Bologna (Yale University Press, 2003)

Rozsika Parker and Griselda Pollock (eds.), Old Mistresses: Women, Art and Ideology (Pandora, 1981), especially ‘Framing Judith: Whose Text, Whose Gaze, Whose Language?’ by Ela Nutu

Griselda Pollock, Visions and Difference: Femininity, Feminism and Histories of Art (Routledge, 1988)

Margarita Stocker, Judith, Sexual Warrior: Women and Power in Western Culture (Yale University Press, 1998)

Eve Straussman-Pflanzer, Violence and Virtue: Artemisia Gentileschi’s Judith Slaying Holofernes, (Yale University Press, 2013)

Ann Sutherland Harris and Linda Nochlin, Women Artists: 1550–1950 (Los Angeles County Museum of Art, 1976)

Giorgio Vasari (trans. Gaston du Vere), The Lives of the Most Eminent Painters, Sculptors, and Architects (first published 1550; Knopf, 1996)ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý

Rossella Vodret, Caravaggio: The Complete Works (Silvana, 2010)

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