Revolution!
Donald Macleod explores the life and music of Hector Berlioz. Today, the July Revolution may be thundering around him, but he has a cantata to finish!
Donald Macleod explores the life and music of Hector Berlioz. Today, the July Revolution may be thundering about him, but he has a cantata to finish!
The Prix de Rome 鈥 usually qualified by the adjective 鈥榗oveted鈥 鈥 was established in 1663, to encourage talented 鈥榝ine鈥 artists: painters and sculptors. The Prize was a competitive bursary, paid for by the crown, that included an extended period of residential study in the Holy City. In 1720, the award was extended to architects, but it was not until 1803, more than a decade after the first French Revolution, that composers were eligible to enter; the first victor was Albert Androt, no longer a household name. By 1827, the year of Berlioz鈥檚 first attempt to win it, the Prix de Rome was recognised as the principal route to recognition for a French composer 鈥 usually followed by a glittering career at the Paris Op茅ra. It took Berlioz four attempts to snag the vaunted gong, with his setting of The Death of Sardanapalus, the set-text for that year鈥檚 competition cantata. Presumably to avoid any chance of collusion, the contestants were locked away in the Institut de France for a maximum of 25 days 鈥 Berlioz completed his setting in a mere 12, perhaps because he was impatient to join the revolutionary fray that was erupting outside the building. As he recalled in his Memoirs, 鈥淚 dashed off the final pages of my orchestral score to the sound of stray bullets coming over the roofs and pattering on the wall outside my window鈥. It was in the same year, 1830, that Berlioz unleashed his Symphonie fantastique on the world, and, less successfully, fell for the musically gifted Camille Moke. They were engaged to be married on Berlioz鈥檚 return from Rome, but Cupid 鈥 in the form of Camille鈥檚 mother, whom Berlioz dubbed 鈥渢he hippopotamus鈥 鈥 had other plans, and instead, Mademoiselle Moke tied the knot with another Camille: Pleyel, the celebrated piano manufacturer. Berlioz may later have derived some bitter satisfaction from the fact that their marriage lasted a mere four years 鈥 due, it was said, to his former inamorata鈥檚 鈥渕ultiple infidelities鈥.
Claude Joseph Rouget de Lisle, arr Berlioz
La Marseillaise
Placido Domingo, tenor
Choeur et orchestre de Paris
Daniel Barenboim, conductor
La mort de Sardanapale (conclusion)
Daniel Galvez Vallejo, tenor
Pas-de-Calais North Regional Choir
Orchestre National de Lille
Jean-Claude Casadesus, conductor
Ouverture pour la Temp锚te de Shakespeare
San Francisco Symphony
San Francisco Symphony Chorus
Michael Tilson Thomas, conductor
Symphonie fantastique, Op 14 (3rd movement, Sc猫ne aux champs)
Philharmonia Orchestra
Andr茅 Cluytens, conductor
Grand symphonie fun猫bre et triomphale, Op 15 (3rd movement, Apoth茅ose)
The Wallace Collection
Leeds Festival Chorus
John Wallace, conductor
Produced by Chris Barstow for 成人快手 Wales
Last on
Music Played
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Hector Berlioz
La Marseillaise
Performer: Pl谩cido Domingo. Orchestra: Choeurs et Orchestre de Paris. Conductor: Daniel Barenboim.- DG 437 638-2.
- DG.
- 2.
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Hector Berlioz
La mort de Sardanapale (Conclusion)
Performer: Orchestre national de Lille. Singer: Daniel Galvez Vallejo. Choir: Nord Pas-De-Calais Regional Choir. Conductor: Jean鈥怌laude Casadesus.- NAXOS 8.555810.
- NAXOS.
- 3.
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Hector Berlioz
Ouverture pour la Temp锚te de Shakespeare
Performer: San Francisco Symphony. Choir: San Francisco Symphony Chorus. Conductor: Michael Tilson Thomas.- RCA G010000267929D.
- RCA.
- 7.
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Hector Berlioz
Symphonie fantastique, Op 14 (3rd movement: Sc猫ne aux champs)
Orchestra: Philharmonia Orchestra. Conductor: Andr茅 Cluytens.- ERATO 9029588669.
- ERATO.
- 3.
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Hector Berlioz
Grand symphonie fun猫bre et triomphale, Op 15 (3rd movement)
Ensemble: Wallace Collection. Choir: Leeds Festival Chorus. Conductor: John Wallace.- NIMBUS NI5175.
- NIMBUS.
- 3.
Broadcast
- Thu 14 Mar 2019 12:00成人快手 Radio 3
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