The contemporary ballet composer
The role of the composer in ballet today. Including an interview with Sally Beamish about her work with Birmingham Royal Ballet and her Little Mermaid project with Northern Ballet.
Katie Derham explores the role of the composer in ballet today. Including an interview with Sally Beamish about her work with Birmingham Royal Ballet and her current project with Northern Ballet on the Little Mermaid.
There is a long tradition for creating new ballets from already established music, often from pieces that were not intended by the composer for dance. In recent years the Violin Concerto of Thomas Ad猫s - Concentric Paths - provided the inspiration for a highly acclaimed new ballet for choreographer Wayne McGregor. All of which begs the question, what makes good music for the ballet?
There is also a healthy tradition of commissioning purpose made music for the ballet from contemporary composers , and in today's programme Katie features music from some of her favourite modern examples, including Joby Talbot's 'Alice's Adventures In Wonderland' for the Royal Ballet and John McCabe's 'Edward II' for Birmingham Royal Ballet; and Julian Joseph's "The Brown Bomber", which pays homage to the historic boxing match between Joe Lewis and Max Schmelling in 1938.
And Katie meets composer Sally Beamish who is in the middle of a new work for Northern Ballet inspired by Hans Andersen's story of The Little Mermaid. Sally's previous ballet, inspired by Shakespeare's The Tempest and written for David Bintley, has recently enjoyed a revival with Houston Ballet. Sally shares some of her thoughts about what makes effective ballet music and explains some of her working methods with reference to her two full length scores.
The Classic Score of the Week is John Lanchbery's music for The Tales of Beatrix Potter.
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Music Played
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Igor Stravinsky
The Rite of Spring: The Augers of Spring
Orchestra: Berliner Philharmoniker. Conductor: Sir Simon Rattle.- EMI.
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Thomas Ad猫s
Violin Concerto - Concentric Paths 3. Rounds
Performer: Anthony Marwood. Orchestra: Chamber Orchestra of Europe. Conductor: Thomas Ad猫s.- EMI.
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Sally Beamish
Seavaigers: 1. Storm
Performer: Chris Stout. Performer: Catriona McKay. Ensemble: Scottish Ensemble.- McKay Stout Music.
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John McCabe
Edward II: Act 2, sc.2 - Mortimer and Isabella; The She Wolf of France
Orchestra: Royal Ballet Sinfonia. Conductor: Barry Wordsworth.- Hyperion.
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Julian Joseph
The Brown Bomber (extracts)
Ensemble: Julian Joseph Sextet.- NMC.
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Joby Talbot
Alice's Adventures in Wonderland - Mad Hatter's Tea Party; Cheshire Cat
Orchestra: Royal Philharmonic Orchestra. Conductor: Christopher Austin.- Signum.
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Sally Beamish
The Tempest: Music from Act 2
Orchestra: Royal Ballet Sinfonia. -
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Sergey Prokofiev
Romeo & Juliet: Act 1, Love Dance
Orchestra: London Symphony Orchestra. Conductor: Andr茅 Previn.- EMI.
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Sally Beamish
Seavaigers: 2. Lament
Performer: Chris Stout. Performer: Catriona McKay. Ensemble: Scottish Ensemble.- McKay Stout Music.
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John Lanchbery
The Tales of Beatrix Potter - The Tale of Squirrel Nutkin
Orchestra: Orchestra of the Royal Opera House, Covent Garden. Conductor: John Lanchbery.- EMI.
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Max Richter
Woolf Works: In the Garden
Performer: Max Richter. Performer: Louisa Fuller. Performer: Natalia Bonner. Performer: John Metcalfe. Performer: Ian Burdge. Performer: Chris Worsey.- Deutsche Grammophon.
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Elena Kats鈥怌hernin
Eliza Aria [Wild Swans Suite]
Singer: Jane Sheldon. Orchestra: Tasmanian Symphony Orchestra. Conductor: Ola Rudner.- ABC.
Broadcast
- Sat 17 Jun 2017 15:00成人快手 Radio 3
What does Darcey dance to in the kitchen?
Former ballerina. Strictly judge. Playlisting FIEND. These are her top picks for dancing.
Podcast
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Sound of Dance
Katie Derham explores the relationship between music and dance in a variety of genres.
