Classical Voice Season
Matthew Sweet presents a special live programme from Cardiff focusing on the film world's relationship with opera, from the Marx Brothers to Citizen Kane and beyond.
Matthew Sweet brings the Sound of Cinema live from the Royal Welsh College of Music and Drama as part of the 成人快手's coverage of Cardiff Singer of Year. He is joined by composer John Hardy and together they consider the movie world's relationship with opera, introducing a selection of recordings where the two genres come head to head. Laurel and Hardy in Fra Diavolo and The Bohemian Girl; the Marx Brothers with A Night At The Opera; Bernard Herrmann and Citizen Kane. Matthew looks at the use of operatic music in films such as Raging Bull, Gallipoli, Apocalypse Now, Pretty Woman, Diva, Fitzcarraldo etc. The programme also explores some of the Silver Screen's great voices.
The Classic Score of the Week is The Great Caruso.
Last on
More episodes
Previous
Music Played
-
Walter Jurmann Bronis艂aw Kaper
Cosi Cosa
Performer: Allan Jones. -
Bernard Herrmann
The Aria from Salammbo
Performer: Kiri Te Kanawa. Orchestra: National Philharmonic Orchestra. -
Giuseppe Verdi
"Dammi tu forza!" (La Traviata)
Orchestra: Berlin Staatskapelle Orchestra. -
Jacques Offenbach
The Tales of Hoffman Prologue to Act 2 - Barcarolle
Orchestra: Royal Philharmonic Orchestra. Choir: Sadlers Wells Chorus. -
Richard Wagner
Ride of the Valkyries (Die Walk眉re)
-
Pietro Mascagni
Cavalliera Rusticana - Intermezzo
Orchestra: Philharmonia Orchestra. Conductor: Riccardo Muti. -
Giuseppe Verdi
Dammi tu forza! (La Traviata)
Orchestra: Berlin Staatskapelle Orchestra. Conductor: Lamberto Gardelli. -
Alfredo Catalani
"Ebben? Non andro lontana" (La Wally)
-
Ruggero Leoncavallo
Vesti la giubba (Ridi Pagliaccio)
Performer: Enrico Caruso. -
Gaetano Donizetti
Una Furtiva Langrima (L'Elisir d'amore)
Performer: Mario Lanza. -
Hans Zimmer Patrick Cassidy
Vide Cor Mea
Broadcast
- Sat 20 Jun 2015 16:00成人快手 Radio 3
Moon River: The story of the 1962 Oscars Best Song winner
Podcast
-
Sound of Cinema
Matthew Sweet's weekly look at music for the screen