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Monkeys And Apes

Brett Westwood explores how monkeys and apes reflect our own humanity. From King Kong to the PG Tea chimps we have used them to create entertainment fear, shock and humour.

Happy Jerry was a mandrill who found his way to London on a slave ship and ended up smoking a pipe and having dinner with the king. It is a curious tale of humanity in search of itself.

Peering into the eyes of a primate we see a reflection of ourselves and that has been an enduring fascination through time. It was thought in the 18th Century that the only reason chimps didn't talk in front of people was because they were afraid we would enslave them.

From King Kong to the PG Tea chimps, we have exploited their similarity to ourselves to create fear and humour. They are so similar yet so different, so close to our behaviour yet they shock and appal us with their distinctly animal like traits.

In Victorian times gorillas were often presented in museums in a ferocious pose charging towards the observer, a pose more reflecting the fact it was being shot at and defending itself rather than a true likeness of the reality of ape life. Today however they are seen as dignified vegetarians of the forest, huge yet gentle, demanding our hushed respect.

Documentaries on primates are always amongst the most popular as we pick apart their lives for yet ever more detailed clues about how we are alike yet still worlds apart.

Available now

28 minutes

Last on

Sun 2 Jan 2022 06:35

Richard Sabin

Richard Sabin
Richard Sabin is Principal Curator in the Department of Life Sciences at the , specialising in the study of the form and function of marine mammal skeletal anatomy. He is special advisor to the NHM’s , carries out endangered species identification work for UK and international law enforcement, and develops internationally recognised protocols and techniques for the extraction of genetic material from the Museum's research specimens.

Professor Erica Fudge

Professor Erica Fudge
Erica Fudge is Professor of English Studies at the University of Strathclyde in Glasgow. She is the author of a number of books and essays on human-animal relations in the English Renaissance and in the contemporary age. Her work has also appeared in  magazine. She is the director of the .

Professor John Ó Maoilearca

Professor John Ó Maoilearca
John Ó Maoilearca is Professor of Film and Television Studies at Kingston University, London. He has published 10 books, including (as author) Bergson and Philosophy, Post-Continental Philosophy: An Outline, Philosophy and the Moving Image: Refractions of Reality, and as editor Laruelle and Non-Philosophy and The Bloomsbury Companion to Continental Philosophy .

His latest book – on animals, cinema, and philosophy – is entitled .Ìý

Ian Redmond, OBE

Ian Redmond, OBE
Ian Redmond is a tropical field biologist and conservationist. Since studying and protecting the mountain gorillas of Rwanda and Zaire, working for the late , and then making the first study of the underground elephants of Mt Elgon, Kenya, Ian has devoted his life to putting conservation principles into practice through investigation, education and advocacy.

He worked behind the scenes and on screen in numerous documentaries and was responsible for introducing Sir David Attenborough to mountain gorillas in 1978 for the famous ³ÉÈË¿ìÊÖ Â sequences and he taught Sigourney Weaver to grunt like a gorilla in 1987 for her award-winning role in the film .ÌýMore recently he advised on the 3D movie .

Picture: Michael O’Donnell

Charlotte Uhlenbroek

Charlotte Uhlenbroek
Charlotte Uhlenbroek has a PhD in chimpanzee communication and has presented several TV programmes for the ³ÉÈË¿ìÊÖ 1, including ,  and Jungle. She is a Fellow of the , was vice-president of , is patron of the and supports many other wildlife organisations.

Broadcasts

  • Tue 2 Jun 2015 11:00
  • Mon 8 Jun 2015 21:00
  • Sun 2 Jan 2022 06:35

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