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During the '70s and '80s commissions began to build up and, thanks to the enthusiasm and commitment of a handful of staunch supporters, there was an increase in commercial recordings of Panufnik's music which helped raise his profile. As both composer and conductor, Panufnik developed a close relationship with the London Symphony Orchestra who commissioned a number of pieces from him over the years, including a concertino for a percussion competition. Donald Macleod introduces a recording of the work in a performance by the LSO with Panufnik himself conducting, plus the second of his three strings quartets prompted by a childhood memory and some vocal pieces with close family associations.