Shakespeare
Donald Macleod explores Berlioz's fascination with Shakespeare, including his King Lear overture and the 'dramatic symphony', Romeo and Juliet.
After his first encounter with Shakespeare's Hamlet, which he recognised as the supreme turning point of his life, Hector Berlioz emerged from the theatre reeling, vowing not to expose himself a second time "to the flame of Shakespeare's genius." But when he saw the playbills advertising Romeo and Juliet a few days later, he simply couldn't stay away. He bought a seat in the stalls. As he said himself: "My fate was doubly sealed." Hector Berlioz remained enraptured by Shakespeare all his life. In this programme, Donald Macleod explores this fascination, including his King Lear overture and the "dramatic symphony" Romeo and Juliet.
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Music Played
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Hector Berlioz
Tristia Op.18 for chorus and orchestra - Part 2; La Mort d'Ophelie
Orchestra: The Cleveland Orchestra. Conductor: Pierre Boulez.- DEUTSCHE GRAMMOPHON : 453-432 2.
- DEUTSCHE GRAMMOPHON.
- 7.
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Hector Berlioz
Tristia Op.18 - Part 3; Marche funebre pour la derniere scene d'Hamlet
Orchestra: Sydney S O. Conductor: Robert Pikler.- Chandos: Chan 6587.
- Chandos.
- 5.
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Hector Berlioz
Le Roi Lear - overture Op.4
Orchestra: Staatskapelle Dresden. Conductor: Colin Davis.- RCA : 09026 -68790-2.
- RCA.
- 3.
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Hector Berlioz
Romeo et Juliet - symphonie dramatique Op.17 - Pt.2 no.2 Nuit sereine... Scene
Orchestra: Montreal S O. Conductor: Charles Dutoit.- DECCA : 425-001-2.
- DECCA.
- 5.
Broadcasts
- Wed 28 May 2014 12:00成人快手 Radio 3
- Wed 28 May 2014 18:30成人快手 Radio 3
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