Music for the Radio and the Stage
Donald Macleod explores how Gordon Jacob and Joseph Horovitz forged careers as composers for radio and the stage.
This week Donald Macleod is joined by composer Joseph Horovitz, who not only talks about his own career, but also that of his one-time teacher Gordon Jacob; both have had a significant impact upon students at the Royal College of Music, and both have been prolific in writing concertos, and music for wind and brass.
Gordon Jacob was something of a celebrity in his local community. He was now being asked to compose a number of choral and vocal works, including his arrangement of Psalm 23, "Brother James's Air". Jacob seemed to work best when he was composing for a specific person or instrument in mind, which can be heard in his Clarinet Quintet, dedicated to Frederick Thurston and the Griller Quartet. But this was now the time of the Second World War, and he was required to boost morale with arrangements for the ³ÉÈË¿ìÊÖ's ITMA programme, arranging works such as the overture to Rossini's "Barber of Seville".
When it was first suggested to Joseph Horovitz that he went to study music at the Royal College of Music under Gordon Jacob, all he knew about Jacob was his music for ITMA; although Jacob soon came to loathe his association with the programme. After his studies at the RCM, Horovitz soon found himself taken up with the stage, including a post as Music Director at the Bristol Old Vic, conductor of the orchestra for the Ballet Russes, and conducting ballet for the Festival of Britain. Opera has also been a particular passion for Horovitz, and today we'll hear his operatic Scena: "Lady Macbeth".
Gordon Jacob
Brother James's Air (1932)
Choir of Clare College Chapel
Timothy Brown, director
Gordon Jacob
Allegro con brio, from Clarinet Quintet (1942)
Thea King, clarinet
The Aeolian Quartet
Joseph Horovitz
Lady Macbeth (1970)
Susan Graham, mezzo-soprano
Malcolm Martineau, piano
Joseph Horovitz
Fantasia on a Theme of Couperin (1962)
Carducci Quartet
Rossini, arr. Gordon Jacob
Barber of Seville (1945)
Studio Orchestra
Gordon Jacob, conductor
Gordon Jacob
Scherzo and Ground, from Symphony No.2 in C major (1943-4)
London Philharmonic Orchestra
Barry Wordsworth, conductor.
Last on
Music Played
-
Gordon Jacob
Brother James' Air
Performer: Choir of Clare College Chapel Director: Timothy Brown
- Guild: GMCD7109.
- 22.
-
Gordon Jacob
Allegro con biro from Clarinet Quintet
Performer: Thea King (clarinet) Performer: The Aelian Quartet
- Helios: CDH55110.
- 6.
-
Joseph Horovitz
Lady Macbeth
Performer: Susan Graham (mezzo-soprano) Malcolm Martineau (piano)
- ONYX Classics: 4105.
- 9.
-
Joseph Horovitz
Fantasia on a Theme of Couperin
Performer: Carducci Quartet
- Carducci Classics: CSQ6482.
- 1.
-
Gioachino Rossini
Barber of Seville
Performer: Studio Orchestra Conductor: Gordon Jacob
- ³ÉÈË¿ìÊÖ Archive.
-
Gordon Jacob
Scherzo and Ground from Symphony no 2 in C major
Performer: London Philharmonic Orchestra Conductor: Barry Wordsworth
- Lyrita: SRCD315.
-
Gordon Jacob
Brother James' Air
Performer: Choir of Clare College Chapel Director: Timothy Brown
- Guild: GMCD7109.
- 22.
-
Gordon Jacob
Allegro con biro from Clarinet Quintet
Performer: Thea King (clarinet) Performer: The Aelian Quartet
- Helios: CDH55110.
- 6.
-
Joseph Horovitz
Lady Macbeth
Performer: Susan Graham (mezzo-soprano) Malcolm Martineau (piano)
- ONYX Classics: 4105.
- 9.
-
Joseph Horovitz
Fantasia on a Theme of Couperin
Performer: Carducci Quartet
- Carducci Classics: CSQ6482.
- 1.
-
Gioachino Rossini
Barber of Seville
Performer: Studio Orchestra Conductor: Gordon Jacob
- ³ÉÈË¿ìÊÖ Archive.
-
Gordon Jacob
Scherzo and Ground from Symphony no 2 in C major
Performer: London Philharmonic Orchestra Conductor: Barry Wordsworth
- Lyrita: SRCD315.
Broadcasts
- Wed 17 Apr 2013 12:00³ÉÈË¿ìÊÖ Radio 3
- Wed 17 Apr 2013 18:30³ÉÈË¿ìÊÖ Radio 3
- Wed 30 Nov 2016 12:00³ÉÈË¿ìÊÖ Radio 3
- Wed 30 Nov 2016 18:30³ÉÈË¿ìÊÖ Radio 3
Beethoven Unleashed – the box set
What was really wrong with Beethoven?
Composers A to Z
Who knew? Five eye-opening stories from Composer of the Week
Five reasons why we love Parry's Jerusalem
What is the strange power of Jerusalem which makes strong men weep?
A man out of time – why Parry's music and ideas were at odds with his image...
The composer of Jerusalem was very far from the conservative figure his image suggests.
Composer Help Page
Find resources and contacts for composers from within the classical music industry.