The Saxon Windbag
Donald Macleod explores Wagner's early works, focusing on the fiasco of his opera debut Das Liebesverbot and Rienzi, which enjoyed more success, putting his name on the map.
Donald Macleod introduces Richard Wagner, a composer whose name instantly ignites controversy like no other - a composer whose life was every bit as much of a titanic saga as the epic music dramas he invented. Wagner was a young firebrand of twenty-two when he made his debut as an opera composer with Das Liebesverbot (The Ban on Love), and the premiere was a fiasco with fights on stage even before the curtain rose. His opera Rienzi was much more successful, catching the revolutionary spirit of the time and putting Wagner's name on the map.
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Richard Wagner - The Valkyrie: Prelude to Act III (The Ride of the Valkyries)
Performer: Gerhilde: Katie Clarke (soprano), Helmwige: Anne Evans (soprano), Waltraute: Elizabeth Connell (soprano), Schwertleite: Helen Attfield (soprano), Ortlinde: Anne Conoley (soprano), Grimgerde: Shelagh Squires (mezzo-soprano), Rossweise: Anne Collins (contralto), English National Opera Orchestra, Reginald Goodall (conductor)
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Richard Wagner - Das Liebesverbot: Overture
Performer: London Symphony Orchestra, Marek Janowski (conductor)
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Richard Wagner - Die Feen: Szene und Arie from Act II
Performer: Ada: Linda Esther Gray (soprano), Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch (conductor)
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Richard Wagner - Rienzi: Act IV
Performer: Baroncelli: Peter Schreier (tenor), Cecco: Gunter Leib (baritone), Adriano: Janis Martin (mezzo-soprano), Rienzi: Rene Kollo (tenor), Raimondo: Siegfried Vogel (bass), Irene: Siv Wennberg (soprano), Leipzig Radio Chorus, Dresden State Opera Chorus, Staatskapelle Dresden, Heinrich Hollreiser (conductor)
Broadcasts
- Mon 4 Oct 2010 12:00成人快手 Radio 3
- Mon 4 Oct 2010 22:00成人快手 Radio 3
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