Episode 5
Donald Macleod explores Opera-Comique on the cusp of the 20th century, when its productions went to other Parisian theatres.
The demise of the Théâtre-Lyrique and the destruction and subsequent rebuilding of the Opéra-Comique saw an increase in productions of Opéra-Comique in other Parisian theatres. In this final programme Donald Macleod and guest Karen Henson look at the developments in Opéra-Comique on the cusp of the twentieth century.
Last on
More episodes
Previous
Next
You are at the last episode
Music Played
-
André Messager
Véronique : De ci, de lÃ
Performer: Hélène - Mady Mesplé (soprano), Florestan -Michel Dens (baritone), Orchestre de l’Association des concerts Lamoureux, Jean-Claude Hartemann (conductor)
- EMI CDM 7691342.
- 12.
-
Charles Lecocq
La fille de Madame Angot : Jours fortunes
Performer: Clairette - Mady Mesplé (soprano), Mademoiselle Lange - Christiane Stutzmann (soprano), Orchestra of the Opera Comique National Theatre, Jean Doussard (conductor)
- EMI CDM 7691352.
- 11.
-
James Rhodes
Pelléas et Mélisande : Act 1, Scene 1, Une fôret
Performer: Golaud - Laurent Naouri (baritone), Mélisande - Anne Sofie von Otter (soprano), National Orchestra of France, Bernard Haitink (conductor)
- NAIVE V4923.
- 1.
-
Emmanuel Chabrier - Le Roi Malgré lui (Act 2) : Introduction and choeur dansé
Performer: Laski - Chris de Moor (bass), Radio France Chorus, New Philharmonic Orchestra of Radio France, Charles Dutoit
-
Daniel François Esprit Auber
Manon: Act 3, Scene 2, A desert in Louisiana
Performer: Des Grieux - Jean-Claude Orliac (tenor), Manon - Mady Mesplé (soprano), Gervais - Gérard Friedmann (tenor), Marguerite - Emmy Greger (mezzo soprano), Lyric Orchestra and Chorus of Radio France, Jean-Pierre Marty (conductor)
- EMI CMS 7 632522.
Broadcasts
- Fri 4 Dec 2009 12:00³ÉÈË¿ìÊÖ Radio 3
- Fri 4 Dec 2009 22:00³ÉÈË¿ìÊÖ Radio 3
- Fri 27 Aug 2010 12:00³ÉÈË¿ìÊÖ Radio 3
Vaughan Williams Today
Beethoven Unleashed – the box set
What was really wrong with Beethoven?
Composers A to Z
Who knew? Five eye-opening stories from Composer of the Week
Five reasons why we love Parry's Jerusalem
What is the strange power of Jerusalem which makes strong men weep?
A man out of time – why Parry's music and ideas were at odds with his image...
The composer of Jerusalem was very far from the conservative figure his image suggests.
Composer Help Page
Find resources and contacts for composers from within the classical music industry.