New Shakespeare Songbook - United Kingdom
Roxanna Panufnik's setting of Love Sought - from Shakespeare's Twelfth Night
A 成人快手 Shakespeare Lives and 成人快手 Radio 3 co-commission.
On the 400 anniversary of his death, the 成人快手 and Austrian broadcaster ORF, with the support of the European Broadcasting Union, have decided to commission a New Shakespeare Songbook, offering today’s composers and musicians across Europe, the chance to respond afresh to these timeless texts.
New Shakespeare Songbook: United Kingdom
Kathryn Rudge performs Roxanna Panufnik's setting of Love Sought from Twelfth Night
Love Sought - Olivia's speech
OLIVIA
O, what a deal of scorn looks beautiful
In the contempt and anger of his lip!
A murderous guilt shows not itself more soon
Than love that would seem hid: love's night is noon.
Cesario, by the roses of the spring,
By maidhood, honour, truth and every thing,
I love thee so, that, maugre all thy pride,
Nor wit nor reason can my passion hide.
Do not extort thy reasons from this clause,
For that I woo, thou therefore hast no cause,
But rather reason thus with reason fetter,
Love sought is good, but given unsought better.
Sounds of Shakespeare on 成人快手 Radio 3
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Sean Rafferty launches Radio 3's Sounds of Shakespeare anniversary celebration weekend with a special In Tune live from Stratford-upon-Avon.
About the New Shakespeare Songbook
Peter Maniura - 成人快手 Shakespeare Lives:
"If music be the food of love, play on..."
Shakespeare is a great songwriter; songs permeate the tragedies, comedies and histories and have provided a source of inspiration for composers, lyricists and performers for four centuries.
On the 400 anniversary of his death, the 成人快手 and Austrian broadcaster ORF, with the support of the European Broadcasting Union, have decided to commission a New Shakespeare Songbook, offering today’s composers and musicians across Europe, the chance to respond afresh to these timeless texts.
But this isn’t just music to be heard, it’s meant to be seen as well. Composers and performers worked with film-makers and directors to produce new songs which were also conceived as films.
The teams were free to use any Shakespeare text from his plays and sonnets and to set them in English, or in their native tongue. There was no restriction in terms of musical genre. The British songs were co-commissioned by 成人快手 Shakespeare Lives and 成人快手 Radio 3.
We hope you enjoy the imaginative, diverse and poetic results – welcome to the New Shakespeare Songbook!
