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 | May, 
            2004 Phaedra's Love - The Burton Taylor
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 |  | | |  |  | Poster 
                  for Phaedra's Love | 
 |  | Phaedra's Love By Sarah Kane
 
 25 - 29 May
 
 The Burton Taylor Theatre
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  |  | |  |  | By 
              Mark Young Suffering 
              and the unpleasant behaviour of a selfish man is a central theme 
              in this challenging student production which explore the darker 
              side of our sexual fantasies. While 
              the British theatre spent a century trying to free itself from the 
              past, the late Sarah Kane deliberately turned to Greek tragedy and 
              in particular Euripides' "Hippolytos" as a suitable vehicle 
              for her perverse and shocking "Phaedra's Love". We first 
              meet Hippolytus as a teenage couch potato slumped in his armchair, 
              listening to heavy metal and blowing his nose on his socks. He's 
              proud of his immorality, being indifferent to having sex with his 
              sister and his step mother Phaedra , superbly played by Valentina 
              Ceschi, who seduces him.  Hippolytus 
              constantly moans about a news agenda dominated by celebrities and 
              in particular the Royal Family but continues to be a consumer refusing 
              to leave his own armchair. Condemned as a rapist he's confronted 
              by a gang of lager swigging louts reminiscent of the lynch mobs 
              who roamed the sink estates of Paulsgrove. The pond life, fuelled 
              by the tabloid headlines, dispense their own justice and our anti 
              hero's journey takes him from the couch to the condemned cell with 
              a brief sexual encounter with a priest thrown in for good measure! 
              Hippolytus cries "how can a man sin against a god he doesn't 
              believe in" as he finally pays the price for a life of hedonism. Lucy 
              Burns' direction fully explores the intensity of this work and its 
              necessity to be set in a dreamlike landscape which is enhanced by 
              the inspired choice of props. The intimate setting of the Burton 
              Taylor studio is an ideal setting for this troubled work which will 
              both shock and entertain you. |  |  |  |  | 
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