May,
2004 Phaedra's Love - The Burton Taylor |
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Poster
for Phaedra's Love |
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Phaedra's Love By Sarah Kane
25 - 29 May
The Burton Taylor Theatre
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By
Mark Young
Suffering
and the unpleasant behaviour of a selfish man is a central theme
in this challenging student production which explore the darker
side of our sexual fantasies.
While
the British theatre spent a century trying to free itself from the
past, the late Sarah Kane deliberately turned to Greek tragedy and
in particular Euripides' "Hippolytos" as a suitable vehicle
for her perverse and shocking "Phaedra's Love". We first
meet Hippolytus as a teenage couch potato slumped in his armchair,
listening to heavy metal and blowing his nose on his socks. He's
proud of his immorality, being indifferent to having sex with his
sister and his step mother Phaedra , superbly played by Valentina
Ceschi, who seduces him.
Hippolytus
constantly moans about a news agenda dominated by celebrities and
in particular the Royal Family but continues to be a consumer refusing
to leave his own armchair. Condemned as a rapist he's confronted
by a gang of lager swigging louts reminiscent of the lynch mobs
who roamed the sink estates of Paulsgrove. The pond life, fuelled
by the tabloid headlines, dispense their own justice and our anti
hero's journey takes him from the couch to the condemned cell with
a brief sexual encounter with a priest thrown in for good measure!
Hippolytus cries "how can a man sin against a god he doesn't
believe in" as he finally pays the price for a life of hedonism.
Lucy
Burns' direction fully explores the intensity of this work and its
necessity to be set in a dreamlike landscape which is enhanced by
the inspired choice of props. The intimate setting of the Burton
Taylor studio is an ideal setting for this troubled work which will
both shock and entertain you.
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