James Corden delays own play for England penalties
James Corden delays play to watch England with audience on stage
- Published
It was the moment when millions of football fans held their breath.
England's place in the Euro 2024 semi-finals had come down to a penalty shootout against Switzerland.
People watched at home, in pubs and in... London's Old Vic Theatre.
James Corden's play, The Constituent, was due to start at the same time last night as the penalties.
But instead of ploughing on with the show, Corden went on stage and watched the sporting drama with the audience and his fellow cast members.
Videos show him kneeling down, watching the game on his tablet and talking the crowd through each kick of the ball.
The play, which is a political drama about an MP, started after England's dramatic victory.
The cast, which also includes Motherland star Anna Maxwell-Martin and Zachary Hart, had originally been watching the match backstage.
Corden : 鈥淲hen it got to extra time, we put on our costumes.
"The extra time finished about three minutes before the play was due to begin. We thought: 鈥極h man, this is tough but we鈥檝e got to start鈥.
鈥淭hen we heard a 鈥榊essss鈥 from the audience, and we looked at each other and said: 鈥楾hey鈥檙e all watching it鈥.
"We looked out and there were loads of little lit-up phones in the audience.
鈥淚t wasn鈥檛 the time to start a serious play about serious issues.
"So me and Anna and Zach went out on stage with an iPad... It was really wonderful, alive, a glorious collective experience.
"One of my favourite moments that I鈥檝e ever had really.鈥
'It's not every day something like that happens'
Audience member Carla Feltham told the PA news agency that "everyone clapped and cheered" when Corden walked on stage and said they could watch the England penalties together.
Ms Feltham said: "It was incredible watching the penalties with the cast, and the atmosphere was amazing.
"It's not every day something like that happens - and the entire audience loved it.
"It was amazing that England got through.
"I heard that a few shows in London struggled with audience members trying to look at their phones for the score, so this was perfect and avoided that."
Ms Feltham said the play started around 10 or 15 minutes late "but no one at all minded".