Olympic
hopefuls | Water
babes - Olympic medallist and Olympic contender |
There has
been a rise in the popularity of British diving since British medal wins in the
Manchester Commonwealth Games in 2002 and the Olympics in Athens.
As
a sport it聮s a mix of gymnastic ability and real daring. Thirteen-year-old
Ashton Hockham-Marshall only started diving four years ago, but was identified
as a potential Olympic talent early on. He聮s already won some medals
in junior championships a few years ago and he聮d love to do the same on home
ground in 2012. Olympic medallist, Sharron Davies met him at the national
sports centre in Crystal Palace, where he told her of his Olympic dreams. Olympic
dreams "I would like to go to the Olympics one day, that聮s
my dream anyway. It would be very special because you would have everyone clapping
for you and raising the roof," says Ashton. Wally Clark is Ashton's
coach. He's been training divers for 50 years and he thinks Ashton has what it
takes to go all the way. "I think he聮s got tremendous talent,"
says Wally "he聮s extremely agile and he聮s good at picking up things.
He聮s diving mad." Ashton belongs to the Merton School of Diving
but Wally brings him to Crystal Palace because it聮s the nearest pool that聮s
close to international standards.
| Top
talent - Ashton Hockham-Marshall |
If Ashton wants to be a member
of Great Britain聮s 2012 Olympic team, then he needs to train at least 20
hours a week in good facilities - at the moment this is the best that London has
to offer.
Unfortunately because it takes him an hour to get there Ashton
only manages to get to Crystal Palace twice a week. The rest of his time,
he聮s training at two other pools and trying to find some free moments on
a school trampoline. He also has a personal gym trainer and does ballet
classes, which means a lot of travelling from place to place for Ashton聮s
parents Nikki and Michael Marshall. 聯It is very, very hard, it would
be great to have it all in one facility," says Nikki. "Obviously
Ashton聮s got a talent and we聮ll take that and embrace it as much as
we can really. As his mum and dad we will always know we聮ve done the best
for him. " If it works out it works out but if it doesn聮t at least
he聮LL knows that he聮s tried his best and he聮s had the support to
do that."
Ashton is spending so much time travelling that
it聮s cutting into his training time. He only manages 12 hours a week
at most, which just isn聮t enough as far as Wally is concerned: "It聮s
very frustrating he should be able to get his homework done and have a least some
time for himself but because we聮ve got to shop around for facilities he聮s
at a very great disadvantage."
Medal hopes Ashton
is not the only Olympic hopeful having to put up with London聮s lack of diving
facilities. Sharron spoke to other children training as part of the Crystal
Palace Diving Team to find out why want to win a medal in the Olympics: "I聮d
like to win a medal at the Olympics because it would be nice to think that you聮ve
done something quite amazing. And it would be something you could treasure in
your life for quite a long time." "It would be quite good because
you can win it and be proud and be proud to... represent your country in the sport
that you love."
The Crystal Palace diving team has an
Olympic standard coach from China but what they really need is a proper dry-land
facility as Gill Snode from the Crystal Palace Diving Team explains: "Young
divers should be doing 75% dry-land and 25% water work, so we need a good dry
land facility more than just trampolines. "We need two dry boards
and meter spring boards. We need platforms which simulate the platforms over at
the diving pool and the large crash mats that they land. "We need
rigs over the diving boards so that the children can learn all their different
somersault movements聰, says Gill. Training facilities As
an Olympic Champion Sharron Davies knows the importance of access to the right
facilities for training. "We聮ve got the talent out there but
unless we聮ve got the facilities, we cannot develop that talent." | Training
facilities are crucial say experts |
Gill believes that we
have the talent base in London to produce the Olympic diving champions of the
future: "We need the facilities and we need the good coaches, and
we need the combination of all of those to produce champions and we can do it
聳 it聮s not something we can聮t do, we can do it.聰 The
nearest pool with the kind of facilities young Olympians need is three hours away
in Southampton. We took Wally and Ashton to see just what they聮re
missing. The Quays Eddie Read Swimming and Diving Complex has the best
diving facilities in the South East. Since it opened in 2000 it聮s
been attracting some of the best divers and coaches in the country including Lindsey
Fraser who used to be based at Crystal Palace. She shows us all the dry-land
facilities that they have in Southampton: "We have a dry-board
in the studio, we have a trampoline, we have somersault boxes from which the divers
do their dry-land work and in addition we have the use of the weights facility
just around the corner."
Wally watches all the divers
train in these facilities. "I聮m quite envious," he says.
"They can do this work and then go up to the pool. What they聮ve just
been doing on the trampoline they can then put into practice within a few minutes
they don聮t have to traipse over to another pool 10, 20 miles away."
Golden
opportunities The dry-land area is not the only way that Southampton
trumps over London.
Just upstairs is one of the country聮s best
equipped diving pools.
With boards on both sides of the pool and bright
lighting it's worlds away from the 40-year-old dimly lit facilities at Crystal
Palace.
Ashton decides to try out the pool and meets an old rival - Max
Brick who started diving at the same time as him. | Good
facilities have made all the difference |
"Back in 2003
we had the intermediate national age groups where Ashton was actually in first
place, thrashing Max quite convincingly," says Lindsey.
"Max
is now an international and one of the chosen 2012 athletes." Max puts
in 25 hours a week of training here in Southampton, which is helping him stay
on track to be a competitor in the Olympics.
Ashton can also see how much
better the facilities are at The Quays: "The facilities in the pool are much
better than at Crystal Palace so it would be brilliant if something like Southampton
was in London for me to reach it." Wally agrees: "He would be
much further ahead than he is now, if we had these facilities at Crystal Palace
- it would have made a difference even though it聮s difficult to get to at
least it would have been worth going for. "As it is at Crystal Palace
you聮ve got some boards in a very dark and dingy atmosphere and no dry-land
facilities at all.聰 Future plans An Olympic standard Aquatic
Centre is being built in Stratford but it聮s not set to open for another four
years.
Until then the Chris Snode from the Crystal Palace diving team
are pinning their hopes on getting a grant of 拢22,000 for dry-land facilities
"We need these facilities now, we need the whole infrastructure now,
and otherwise in 2012 we聮LL be saying why did we miss this opportunity why
haven聮t we got a medal? "London deserves it聮s own centre
producing London divers for 2012,"says Chris. "It聮s very, very frustrating, we聮re the capital
of the country we should have those facilities.
"When you look at
other cities across the world somewhere like Berlin they聮ve got three diving
facilities all at international standards this isn聮t even international standard.
There聮s nothing." | Nikki, Ashton's mum
|
There are plans to build a new pool at Crystal Palace but
draft proposals do not include a 10 metre board necessary for training to international
standards.
In the meantime with only six years to go the Olympics, time
is running out for Ashton. "What do you think you need to get the
best performance possible 聳 out of you when you stand on that board in 2012?"
Sharron asks him. "I need closer facilities and better facilities
for me to get to an Olympic level really," says Ashton. Sharron fears
that we can聮t build the facilities quick enough to help out athletes compete
at their best.
"At the moment there聮s a big question mark
over what happens next here in Crystal Palace with London聮s divers 聳
whether they actually relocate with or without their 10 metre board or whether
they get their indoor training facility. "The Olympic venue
won聮t be finished until at least 2010 - meantime they聮re left high and
dry trying to get in the necessary training."
---------------------------------------------------------------- | Chapel
uncovered - revealing the past |
Tudor treasure The
Naval College in Greenwich is one of London's most famous riverside landmarks.
It was built by Christopher Wren in the late 1600s and was originally
designed to be a hospital.
It was constructed on the site of a much older
Tudor Palace built for Henry VII. Read
the guide to the chapel's history
For many years archaeologists knew
the palace remnants included an ancient chapel where the infamous Henry VIII married,
but until now it had lain undiscovered. It's official title is the Palace
of Placentia - it's one of London's lost palaces, and at its heart was the Chapel.
It was found again a few weeks ago thanks to some routine maintenance when
contractors were building a drainage trench.
They dug away the earth and
started seeing Tudor brickwork and tiles. Julian Bowsher is the senior archaeologist
at the Museum of London, and whenever any work is done here, he has to be on site
- just in case they find something special like this. "We have found
the remains of the chapel we've only got this eastern end of it because the rest
of it has been taken away by Christopher Wren's building," he said. Exciting
finds
Construction work was halted and after two weeks of digging
they managed to excavate not only the chapel but the vestry and other surrounding
buildings. For Duncan Wilson the chief executive of the Greenwich Foundation
it was an exciting sight. "There's nothing quite to match
the experience of seeing something emerge from the ground that's 500 years old.
"Henry
VIII assembled a group of craftsmen and artists which was unparalleled in Europe
for a brief period in the 16th century. The court painter Holbein was based here
and it was an amazingly lively place of European significance for that period."
Nearly 500 years ago, the palace would have been the capital
of Tudor England. For ships that sailed up the Thames it would have been
one of the most magnificent sights. It's unique because it was the Buckingham
Palace of its day and at its very heart was the chapel royal.
"Each
Royal Palace has its own private chapel," says Julian Bowsher. What
the scientists have found here is the original layout of Henry VIII's chapel from
his riverside palace in Greenwich.
But why is the Chapel Royal so exciting?
Simon Thurley is the Chief Executive of English Heritage said: "We
now know that the chapel was the centre of court life. Sundays where obviously
when mass was celebrated in the chapel was the biggest day at court everyone wanted
to see the king."
The ruins of the chapel in Greenwich
are genuinely Tudor. Small pieces of decorative leaf have been found which
give a real idea of the interior of the palace and the ceiling which has long
gone.
So now the chapel has been found the process of restoration begins.
But it's clear this palace and its chapel have many more secrets to tell. ---------------------------------------------------------------- | Art
classes can kick start a life long interest |
Prisoner art
Art
has been an intrinsic part of prison life for as long as there have been jails.
For many inmates it's a way to indulge in a pastime that's an escape from
captivity.
But recently an interest in the art produced by prisoners has
spread from behind bars into galleries and collections. Why? Prison pastime At
Holloway prison - Hilary Beecham has been teaching art to prisoners for more than
a decade.
Her passion has rubbed off on many of the inmates over the years.
Some have taken art simply for an easy life others to get away from the
monotony of jail, but for some it sparks a real passion for painting and drawing
which they take back into their lives once they're released. Her classroom
looks like any other apart from the signs on the door reminding prisoners they
must ask permission for a pee and the craft knives kept under lock and key. But
there are paints and brushes and pencils everywhere and most importantly dozens
of art books to inspire. Nicola is a remand prisoner who loves Hillary's
class, "It's good to come in here to be able to escape and enjoy time for
myself. I studied art years ago at school but this is a much better standard of
teaching." Hillary says it doesn't matter what ability pupils have. "You
have to understand the women who come in her don't want to be here. No one wants
to be in prison so it's not like any other adult education class. "They
are waiting - waiting to be released, waiting for solicitors or court cases. And
they find this a non-threatening class. Some get a chance to express themselves
in ways they never thought possible."
Looking around you
can see some prisoners have real talent. There's even an inter prison art competition
run each year and many of Hillary's pupils have entered. And that's the
challenge - to keep a prisoner's interest in art going once they are released.
Art beyond bars In Bounds Green, Arts Alive is a project where
ex-offenders get a chance to carry on painting. Richard Ponniah was in jail
until very recently. | Art
for life - some prisoners go on to sell work |
He has real
talent and is currently busy painting a picture of his son. Richard said,
"I had a photo of him in prison and that was all I had to work from. "I
missed his first birthday because I was inside. This started it all." Lanre
Olagoke is the founder of Arts Alive: "This gives ex-prisoners
a chance to sustain their interest. To ensure they don't go back into crime. Something
that will keep them on the right path."
Some prison artists
are enormously successful. But of course many achieve nothing more than
art for the sake of their own interests. One thing is clear there is a
growing market in prisoner art and in small galleries and art fairs all over London
it is becoming more and more common. Who knows maybe one day a print might
even find its way onto your wall. |