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28 October 2014
Inside Out: Surprising Stories, Familiar Places

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听听Coming Up : Inside Out - London: Friday March 2, 2007
Kwame McKenzie
"It was brutally harsh..."
Kwame McKenzie
Kwame McKenzie investigates slavery's legacy

The Legacy of Slavery

The slave trade was abolished 200 years ago, but its legacy may still be with us.

Some experts believe that the sheer breadth and scope of slavery's assault on black people and their spirit created an extreme, long lasting trauma.

It's thought that this trauma may have been passed from one generation of Black Britons of Afro-Caribbean descent to the next.

Inherited trauma

Could this idea of 'inherited trauma' help explain why young black pupils over the age of 10 don't perform at school as well as their counterparts from other ethnic groups?

Akala
Rapper Akala talks of slave's tentacles reaching out today

Could it help explain why some studies show that incidences of schizophrenia in Afro-Caribbean people are between two and eight times higher than in the white population?

Could it even help explain the 'Baby Father' syndrome where many black fathers absent themselves from their role in bringing up their children?

Senior Lecturer in Psychiatry at University College London, Kwame McKenzie, meets people with strong views on either side of this controversial debate.

What's in a name?

During slavery Africans had their traditional names stripped away from them and were forced to adopt European ones instead.

Dr Lez Henry says:

"I know that I聮m an African but it聮s taken me a bit of time to do some research into what peoples like me have contributed to civilization for millennia.

"But if... the only introduction you get to being an African is being a slave, and that you were freed and that you are still catching up, of course you would want to disassociate yourself from that history and this is what happens in schools."

Claire Felix
Claire Felix - a name speaks volumes

For some mental health experts like Rethink's Claire Felix, these feelings of alienation are deepened by not being aware of your cultural heritage or identity.

She says that this can extend to something as simple as a name which can lead to an identity crisis:

"If my name is Claire, where do I come from? what does that tell me? It tells me nothing about my past, it tells me nothing about my family or heritage聟

"Taking away their name was one way of dehumanising them.

"So by removing someone聮s name we聮re saying that you are nobody, again it聮s way of control, taking control聟

"A name is important it tells you who you are, it聮s a way of maintaining tradition."

Traumatic legacy?

Supporters of Post Traumatic slavery syndrome also believe that slavery聮s legacy has got inside the black community聮s heads.

They believe that it helps account for the high levels of serious mental health problems found within the African Caribbean community.

Akala
Black men weren't allow to show emotion during the slave trade

They say that this might account for why some studies show that incidences of schizophrenia in Afro-Caribbean people are between two and eight times higher than in the white population

Could Post Traumatic slavery syndrome also go some way to explaining the 聭Baby Father聮 syndrome where many black fathers absent themselves from their role in bringing up their children?

For some this is seen as simply modern day men running away from their responsibilities, but supporters of Post Traumatic slavery syndrome believe that it could be something to do with what happened during slavery.

They believe the experience of today聮s single families can be partly explained by the brutally harsh lives lived on the plantations.

Slave masters tried to keep control of their slaves by splitting up families, and stopping slaves from forming normal relationships.

Musician Akala has his own strong views on this:

"If you showed any emotion or any love for a female you would be killed or you would be separated from her, because the slave master knew that if you love a woman and you love your children, then you have an attachment to them.

"You are going to fight for their freedom at some point."

Akala also draws direct links between life on the plantations and life on the streets of London today.

Looking to the future

Many people argue that focussing on slavery simply ignores the long history and deep heritage of African Caribbean people's and promotes a victim culture.

Shackles c/o AP Images
Thomas Clarkson's historic slave trade drawings. AP Images

Others are equally adamant that it's something that needs to openly dealt with - in order to move on.

No one is suggesting that all society's ills can be laid at slavery's door.

But if we are serious about to building a better future for our children, Post Traumatic Slavery Syndrome raises questions which hard to ignore.

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London Built on Slavery

Danson House
The Danson House - Inside Out goes back in time

Architectural historian Lucinda Lambton examines the legacy of slavery in London.

She visits the British Museum, founded by Hans Sloane who travelled widely in the Caribbean and who wrote first hand accounts of slavery, returning to the UK with a vast collection that formed the basis of the British Museum.

Lucinda also visits slave owners' Duke of Chandos's church, St Lawrence of Stanmore, and Sir John Boyd's Danson House in Bexley.

The Girl in the Picture

Dido portrait
Looking behind the painting - the girl in the picture

By the end of the 18th Century London's black population was said to number between 5,000 and 10,000.

Many of them were slaves brought to the capital by their masters, however some were escapees and some had made their way to the capital following the end of the Seven Years War in 1763 and the American War in 1781.

Images from this period, most famously Hogarth's work, show black people living in the squalor of London's underclass.

But there is one notable exception - a remarkable portrait of an aristocratic black girl, pictured in front of Kenwood House.

Dido Elizabeth Belle was the daughter of Captain John Lindsay of the Royal Navy.

She was born to a black slave mother who was suspected to have been captured from a Spanish ship whilst Lindsay served in the Caribbean.

Dido lived at Kenwood with her Great uncle William Murray - Earl Mansfield - until she was at least 30.

The relationship was so close that a portrait was painted depicting Dido and Elizabeth as if they were close family.

Taking this portrait as a starting point Inside Out discovers the hitherto untold story of London's first black 'aristocrat' and the influence she had over her great uncle in the pivotal 1772 Somerset slavery case he ruled upon.

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