Accountability (archive)
- Andrew Steele
- 4 Oct 06, 11:51 AM
The in rural Pennsylvania has brought the peaceful community of Nickel Mines into the world's eye for all the worst reasons. The small Amish community has been besieged by the media after a milk-truck driver shot 12 pupils in a small schoolhouse before turning the gun on himself.
The Amish are a reclusive people who advocate pacifism and shun modern life. They do not use electricity and have no television, radio, or computer at home. They prefer to live outside the mainstream, involved in their own world. So the hubbub and trappings of a big story - satellite trucks, film crews, hovering helicopters and 24-hour live shots - have been a further unwelcome jolt to a community already devastated by the horror of random death.
Filming and interviewing the victims of war and violent acts is always a daunting challenge. In this story we raised our threshold, to ensure we respected the views of a grieving community where cameras are barely welcome. Those who were interviewed were willing to do so. Despite the horror, the locals almost unbelievably spoke of forgiveness and redemption. One interviewee wanted to express his views but had qualms about the camera. In the end he agreed to be filmed from a distance that would make him hard to be identified.
But those who didn't want to speak were left alone. In the end we got the story, while respecting the wishes of the local community. I hope we gained their respect too.
The 成人快手's editorial guidelines state we must always balance public interest against the need to be compassionate and to avoid any unjustified infringement of privacy. As we move on from Nickel Mines and leave the Amish community to grieve in peace, I'm satisfied that this time, despite the difficulties, we achieved the right balance.
Andrew Steele is the 成人快手's bureau chief in Washington
On this week's Newswatch - the show which voices your criticisms of 成人快手 News - David Kermode, editor of Breakfast, talks about coverage of celebrity news such as Richard Hammond's crash. Also Craig Oliver, editor of the Ten O'Clock News, addresses the issue of sport coverage on his bulletin. Click here to watch it.
- Amanda Farnsworth
- 26 Sep 06, 03:15 PM
We've had a few comments about our coverage of , after she was mauled by two Rottweiler dogs.
Did we vilify Rottweilers? Did we create panic amongst dog owners? I think the answer to the latter point is no, judging by the responses from the audience I've seen, but it's a fair point, and a good thing for us to take a look at our coverage and see what we said.
Looking back I really don't think we demonised the dogs. They did kill a child, and it's news exactly because it is very unusual. Every broadcast outlet and national newspaper covered this story for this reason. But we didn't refer to them as "devil dogs".
I think it would have been irresponsible for us to speculate on the exact circumstances that led to the dogs attacking the child, because we simply didn't know them and we couldn't blame parents, friends or family - we had no information.
We did however put some context about controlling dogs in the coverage from the local councillor (watch the report here).
Personally, I am a big animal lover, and know two Rottweilers. I wouldn't want our coverage to imply any blanket assertion about any breed. I hope in this case we didn't.
Amanda Farnsworth is editor, Daytime News
- Adrian Van-Klaveren
- 25 Sep 06, 03:41 PM
The reverberations of are still being felt – but not just in the world of football. They have also provoked how about how we at the 成人快手 cover stories generated by our own journalists – particularly, as in this case, ahead of the programme itself appearing.
There can’t be much room for doubt that we used not to be very good at this.
Original reporting and investigative journalism which had taken many months of effort could disappear without trace after just one transmission. You either caught it or you didn’t. On one occasion, a piece which won the Royal Television Society’s home news award made no impact on the rest of our output. That just does not feel right.
Now as some commentators have noticed, things have changed. We do try to ensure that every part of the 成人快手’s journalism is aware of the stories being generated across all of our output and we ask editors to think about whether those stories are appropriate for their audience. There are some very good reasons for this.
Original journalism is both important and expensive. Finding things out and telling people about them first is at the heart of what audiences expect from news and current affairs. Every piece of original journalism we carry has been paid for by licence fee payers and they deserve to be given every possible opportunity to see, hear and read what we’ve discovered.
In a world where the individual consumer is so much more in control, showcasing the best of our journalism becomes even more important. When we talk to audiences, we find time after time that people are unaware of something we’ve done which they would have been particularly interested in. At a time when so much more choice is available, we need to find the best ways to highlight our strongest work.
Of course there are dangers which every editor is aware of. Some long form programmes just don’t translate easily into much shorter news reports. Some stories are so complicated and layered that they can’t be told in that way. And of course there is a danger of over-promoting ourselves. No one wants to watch a news programme which seems to consist only of trails and previews of other 成人快手 programmes and events at the expense of the day’s other news.
Ultimately there is no definitive edict about exactly how and when we showcase our own journalism. Individual editors have to decide what is right for their own programmes and audiences. But we do this in a spirit of seeking to share the best of what we do with as many people as possible – that’s a measure we feel comfortable to be judged by.
Adrian Van-Klaveren is deputy director of 成人快手 News
- David Kermode
- 22 Sep 06, 04:51 PM
Richard Hammond . His doctors are apparently "cautiously optimistic".
When news of his accident broke on Wednesday night, details were sketchy. It had an, "oh god, that's awful" factor, and I was in doubt that it should lead Thursday morning's Breakfast.
Decisions over which story should get most prominence are often very difficult. Thursday morning's news agenda was relatively quiet and this story stood out to me, and the rest of the team working on the programme.
Was it the right lead? There's definitely a debate to be had. Quite a few viewers got in touch, either by email and text during the show, or by the more formal complaints procedure route, to suggest it was the wrong call.
"Is there nothing more important going on in the world?" was one view. "The coverage was excessive," was the view of many others. One person even complained that the accident "was self inflicted and should not be news".
At the same time, we had a big response from people who wanted to relay their shock and pass on their best wishes for Richard's recovery. We use a panel of viewers to monitor which news stories have the most impact and which stories viewers want to know more about. The answer, on both counts, was 'Richard Hammond's accident'.
We don't always get the choice of lead story right and the clarity provided by hindsight is powerful. However, on this occasion, I would stick with our choice of lead. He is a well known and much loved presenter, he was attempting something extraordinary and, as we now know, there was a huge amount of interest in what happened and in his condition.
I share my thoughts on this not because I think they are necessarily particularly important (self important journalists annoy people) but because I think it's important to try to shed light on our decision-making process.
What's much more important is that he recovers - and there are clearly so many people out there who want to see him back on screen as soon as possible.
David Kermode is editor of
- Peter Barron
- 22 Sep 06, 04:02 PM
Every time we run an item about climate change - which let's face it is quite often - we get a number of complaints about media hysteria.
"Oh no! Branson has just pledged 3 billion to fight Global Warming. ANOTHER excuse for Newsnight to champion the cause. It is becoming so tiresome."
"By your own standards tonight's item on global warming was a disgrace... One oversimplified interpretation of global warming is now force-fed to the public."
"Exxon funding groups critical of the increasing hysteria around climate change? Great news!"
Then you get articles like Tom Utley's in the Mail today, railing against the bien pensants of the 成人快手, using to dismiss concerns about melting ice-caps his own ice-in-gin-and-tonic theory. It goes like this. If the doomsayers are right why doesn't your gin and tonic overflow when the ice melts?
I remember debating that one myself - a little incoherently - over iced drinks in my student days about 20 year ago.
So are we at the 成人快手 peddling some sinister international climate change myth, or are sceptics like Mr Utley in hock to the CO2 nay-sayers of big business?
Neither I think. For years on Newsnight we've reported concerns about the effects of climate change with caution, due scepticism and balance. But at a certain point I think you've got to assemble all the available evidence and decide whether the threat is real or not. I think we're past that point and that the threat is real.
It doesn't necessarily mean, as Mr Utley mocks, that his beloved Norfolk will be under the sea any time soon, it's much more likely surely that Britain will feel the strain from the refugees from the effects of climate change who will make their way to our shores.
So what explains the staying power of the sceptics' argument?
One possibility is that they're right. But I think the real reason is that subconsciously many of us hope they're right. If Mr Blair really believed climate change was a bigger threat than terrorism, for example, wouldn't he devote more of his energies more urgently to it?
And Ethical Man aside, wouldn't you and I change our lifestyles more than the bits around the edges we've done so far?
I think most of us have an inner George Bush, or a part which is in denial and believes it can 't be as bad as all that, that surely something will turn up.
I hope we're right.
Peter Barron is editor of Newsnight
- Kevin Marsh
- 18 Sep 06, 09:56 AM
Someone, some time ago, proposed that one of the things we should make sure was on the 成人快手 College of Journalism website was a module - a film, perhaps - showing the way we cover news stories ... as seen from the perspective of those in the story.
I can't remember whose idea it was - but it's such a good one I'll call it mine and we'll do it.
Alternatively, we could just make all 成人快手 editors appear live - or "as live" - on their own programmes; or perhaps, someone else's. But appear live/as live, anyway.
I had the experience this week on . And it was both scary and salutary. I was invited on to talk about the CoJo's plans to help 成人快手 journalists with basic English. A lot of viewers, listeners and online users get upset when our journalists make daft mistakes - and they do, usually under pressure... though I'm not sure that was the explanation for the capital of Ecuador being spelled K-E-E-T-O in one example.
I couldn't fault 's team for the way they fixed the interview - all according to the Marsh rule book. They were open about the subject of the interview without giving away the actual questions; and what they said would happen did.
So far so good. Plus, I've done dozens of TV and radio interviews ... but until this, all except one had been pre-recorded at a leisurely pace for editing later; the only live one was a twenty-minuter on Radio Coventry.
What I'd never appreciated before was the immense pressure on the interviewee of a four to four-and-a-half minute live/as live interview - even though I've edited thousands of programmes made up of jigsaws of just such interviews. The short, live interview is probably the most familiar tool of my trade.
But it's very strange to be on the other end of it. It was nothing Ray did - but somehow, the time pressure conveyed itself as prepared words and ideas ran off and hid. And even though I knew the rule in theory - statement, context/explanation, next question - in fact, the strands of thought threatened to get into a complete tangle.
While Ray - as a good live interviewer should - kept up the pace of the questions, something close to panic wiped the synapses on one side of my brain.
I have a vague memory of talking about Caxton and Webster's dictionary; perhaps I did, perhaps I didn't. I certainly haven't the faintest recollection of anything I said [you can see for yourself here]. Either way, I now understand rather better than I did before the lot of the hundreds - thousands, possibly - of guests our programmes churn through in the course of a day.
Obviously - being a news man - I wouldn't go so far as saying I have sympathy with them ... even though I was one, briefly. But it does, as they say, make you think.
Kevin Marsh is editor of the 成人快手 College of Journalism
- Gary Smith
- 12 Sep 06, 12:57 PM
Should the 成人快手’s political editor, Nick Robinson, have asked about UK politics during press conferences over the last three days given by Tony Blair with the Israeli, Palestinian and Lebanese leaders?
Nick’s questions - used in his reports on TV and radio bulletins - have sparked a heated debate on his blog. Some contributors feel they were totally inappropriate - “an embarrassment to his profession.” - one says that asking about important domestic issues is valid “anywhere at any time.”
It’s a tricky issue. On foreign trips like this, a group of newspaper journalists, broadcasters and agency reporters travels with the prime minister, and - often to the bemusement of foreign leaders - takes every opportunity to pester Mr Blair about what’s going on back in the UK.
At the 成人快手 we try to do more than this. We have huge numbers of different programmes and platforms and audiences with different interests, and we try to cater for everyone.
So yes, of course we ask about domestic politics; but we cover the diplomatic story as well, allowing editors back in London to decide which angle is the right one at a particular time for their audience.
In the Middle East over the past few days, we’ve had Nick Robinson and Five Live’s John Pienaar in place to pursue domestic politics; but we’ve also had the Middle East editor Jeremy Bowen, and correspondents based in the region such as James Reynolds, Matthew Price and Alan Johnston on the diplomatic story.
The reporting across three days has reflected different aspects of the developing stories.
So for example the 成人快手 One Ten O’clock News on Sunday night led with Gordon Brown’s interview with Andrew Marr, and included Tony Blair’s reaction to it, which Nick Robinson then talked about from Jerusalem. But the programme also included a report by Jeremy Bowen on the substance of what the prime minister had discussed with Mahmoud Abbas.
Would it have been right for Nick Robinson NOT to have taken the opportunity to ask Mr Blair about what his Chancellor had said? Surely not – domestic politics can’t be put on hold while the prime minister travels abroad.
Political junkies will remember only too well Margaret Thatcher’s performance on the steps of the British Embassy in Paris in November 1990 after she’d failed to beat Michael Heseltine outright in the first vote for the Conservative Party leadership.
The 成人快手’s fearless chief political correspondent, John Sergeant, pounced with his killer question: “Mrs Thatcher, could I ask you to comment?”
Her spokesman Bernard Ingham then brushed Sergeant to one side to allow Mrs Thatcher to declare her intention to fight on. Two days later, she resigned.
Who remembers now that she was actually attending a meeting about European security? I’m sure John Sergeant was right NOT to ask about that.
When the history books are written about this past weekend, will Mr Blair’s Middle East trip be remembered as a moment when negotiations restarted between the different sides in the Middle East, or as a significant staging post on Mr Blair’s way out of Downing Street. As the old reporting cliché goes, only time will tell.
But at least Nick Robinson’s questions opened up the possibilities for alternative versions of history.
Gary Smith is editor of political news
- Rod McKenzie
- 12 Sep 06, 10:36 AM
Recently, we interviewed the leaders of the three main parties on environmental policy - we called our two weeks of journalism 'The Global Challenge'. All of them talk a good game but our listeners are far from impressed with the actions that match the words.
They may have a point.
Ming Campbell, questioned by our terrier-like political reporter Rajini Vaidyanathan, told us that we should fit energy-saving light bulbs. How many in your household then, Rajini shot back. "Er, I don't have any," was the Lib Dem leader's reply. Rajini knows a jugular when she sees one, pointing out that how can he expect us to save the planet if he doesn't follow his own advice?
David Cameron's view on the subject was that if more of us cycled to work and employers fitted more showers, we'd all be better off. Not much point in doing that if you have an official car following behind with all your paperwork in though is it Mr C? That's not true, said the Tory leader, before admitting, well yes it had happened a couple of times but wouldn't again.
Tony Blair told us he'd turned down the temperature in Downing Street by one degree and enthused about the energy saving lightbulbs that Ming doesn't have… whilst clocking up more non-environmentally friendly air miles on his Caribbean holidays. But our listeners wondered why he is building more airport runways if he's so committed to the environment - and what about doing more to encourage green cars?
But to be fair - how green are the rest of us? Isn't it up to us to save the planet in little ways with a bit of recycling or switching off lights rather than expect the Government to do it for us?
Over on Radio 1's sister station 1Xtra, presenter G-Money had his home carbon energy audited - he scored a pathetic 3 out of 10. He's a big fan of power-hungry gadgets on standby - which, let's face it, doesn't help. And what's he doing about it? "Switching everything off," he told me - hmmmm, call me a sceptic but habits/lifetime/changing spring to mind.
Our reporters have travelled the world - Rajini again, to notorious high polluter India, and our US reporter Heather Alexander to check out green cars in New York - and get a 4x4 petrol head to drive one in Manhattan. We were inside the arctic circle to check on the big melt and Tulip Mazumdar went to Ireland to see how well a tax on plastic bags was working.
We did it all for journalistic reasons but we did a fair bit of polluting ourselves with all those fumes - travelling and flights. You can't win can you - so maybe politicians feel the same. But before you ask - yes, I am paying to make our reporters flights carbon neutral!
Rod McKenzie is editor of Newsbeat and 1Xtra TX
- Kevin Marsh
- 11 Sep 06, 12:07 PM
When we asked 成人快手 journalists - a lot of them - what they most wanted to do for them, one answer dominated the list: "Make me more confident about the Law".
All conscientious journalists care about contempt and defamation - the journalist who puts a foot wrong in either area can find him or herself personally liable for damages, a fine or even a spell in prison. And self-interest aside, it can never be the aim of any journalist to spread an untruth or interfere with the processes of the courts.
Hence the College's recently launched legal online course for staff covering defamation and contempt - modules on copyright and contract follow next year - supplemented by face-to-face courses for all and sessions aimed at senior journalists.
But however excellent, detailed and interactive a course is, it's only the beginning. Journalists also have to become confident in applying the principles they learn, absorb and practice on the online and face-to-face courses - and as any media lawyer will tell you, all cases are different. Perhaps the most important thing for a journalist to take away from any law course is an ear more finely tuned to the alarm bell that alerts them to the need to seek expert legal advice on the specifics of their piece - to avoid being too cautious as much as too reckless.
Take an example. Last week, Raphael Rowe presented raising important questions about the scientific evidence used in the trial of Barry George, the man convicted for the murder of Jill Dando. Raphael also interviewed two of the jurors in George's trial - revealing uneasiness about the scientific evidence and suggesting that some members of the jury had ignored the trial judge's instructions not to discuss the case outside the jury room.
Those interviews will have sent many journalists scurrying to find their copy of the legal bible "McNae's Essential Law for Journalists" to confirm their - possibly vague - memory that there is a blanket ban on interviewing members of a jury; that it is a clear contempt of court.
As it happens, that's not quite the case... though as a rule of thumb, it's not a bad one; the 1981 Contempt of Court act makes it an offence to "seek or disclose information about statements made, opinions expressed, arguments advanced, or votes cast by members of a jury in the course of its deliberations". And a 1994 House of Lords ruling made it clear that the intention of the act was to keep "the secrets of the jury room inviolate". Plus, some lawyers believe that the identification of any juror is itself a contempt.
So what to do when a careful, lengthy investigation uncovers evidence that the conduct of the jury in a case might have rendered a conviction unsafe? And that evidence is voiced by the jurors themselves?
I wasn't privy to the discussions between Raphael, Panorama and the lawyers; but it's clear that the decision to broadcast the juror interviews was made in the specific context of the programme and on very precise grounds. As a humble viewer, I was able to detect no questions were put or offered concerning the deliberations in the jury room - and any conversations outside the jury room were contrary to the judge's express instructions; Raphael pointed up more than once in his script that he was aware of the legal restrictions; and, of course, the matter was one of great public interest.
The challenge for the College is to make sure that our journalists are aware of the way in which the law is applied in cases like this - and don't draw the wrong conclusions. It would be wrong, for example, to conclude from this Panorama special that interviewing jurors was now fine in all cases.
The Panorama decision also illustrates another truth about the application of the law - and another challenge for the College. In very few cases where there's a legal risk is the decision to cut or broadcast a clear one. Almost always, the editorial team has to make its decision based on the balance of risk - and since most defamation cases, for example, are settled out of court, there are often too few similar precedents to be a clear and unequivocal guide. In the end, though, it is always should be an editorial decision informed by precise legal advice.
The College can do two things; provide the knowledge that no journalist should lack through online and face-to-face courses; and second, to provide awareness of important cases and decisions. In the end, though, the most important lesson is that all cases are different and there is no substitute for detailed, specialist advice.
Kevin Marsh is editor of the 成人快手 College of Journalism
- Ben Rich
- 8 Sep 06, 05:40 PM
There are two problems with having your programme .
One is that he's a distinguished , so the defence of muttering "what would he know about news programmes anyway" is unavailable.
The other is that he is a pre-eminent prose stylist whose polemics are laced with cutting phrases - in this case describing the Six O'clock News as a "parody of something between Down Your Way and Nationwide".
His ire had been raised by our decision to send Natasha Kaplinsky out for a week to places ranging from Dorset to Glasgow to present a series of segments on social change under the banner "The Changing Face of Britain" - you can watch some of the reports by clicking here.
He took up his pen after watching the first, in which we went to Christchurch in Dorset, the town with the most elderly population in Britain, to report on what might be the future for many other parts of the country. The segment contained a report from Richard Bilton, a piece by Natasha looking at what the town was like decades ago and an interview with the 71 year old Mayor of the town about what it was like to live there.
Now I would be the first to admit that this wasn't the strongest of the five stories we covered in Six on Tour - and if I'm honest the interview with the Mayor was a bit too local in content - but there is a more general point that Martin Bell was making. Should we be out in this way - sending a presenter to cover the growing elderly population (or the exodus of young people from Wales, Polish immigrants doing the jobs Asians used to do in the Midlands, town dwellers moving to the country, and Glasgow's record in dealing with asylum seekers as we did on the other days) in this way, when there are people dying in Afghanistan, Iraq and, on Monday, a British tourist shot in Jordan.
Of course we did cover events in the Middle East well ahead of Six on Tour. But his question remains valid - why did we devote eight minutes a night to being on the road like this? There are a number of answers I would give. Principal among them I would say that the issues we covered were important and that they sometimes get lost in among the more urgent daily stories.
But we did have a wider purpose than that - to get our programme out among some of the audiences we serve to report on things that were happening locally, but had some greater national resonance. Our reporters and Natasha also appeared in the local newspapers and on local media, providing more potential viewers with a reminder of the service we offer. And our overnight research showed that our report on the elderly was the programme item people most wanted to know more about.
As a man with a full 成人快手 career behind him, who looks set to continue using his talents for many years to come, I might have hoped Martin Bell himself would have agreed with that.
Ben Rich is deputy editor, One and Six O'Clock news
- Peter Barron
- 8 Sep 06, 02:21 PM
There's always been a debate about what is and isn't acceptable on TV news programmes, and now that we have blogs, forums and podcasts it's only getting more complicated. And should Newsnight's on-line persona be exactly the same as that on TV? Here are a few of this week's posers.
• Our Ethical Man Justin Rowlatt caused a degree of outrage when, in a film about cycling proficiency (watch it here), he asked a youngster if he was "pissed off". By today's standards that's hardly obscene and I'm sure the minor in question had heard, and probably said, much worse, but I must admit I spluttered into my cocoa watching at home.
On the other hand, when I used the term "crap prizes" in a response on this blog, I was surprised that some viewers thought that was inappropriate language for the editor of Newsnight, even in an obscure corner of the blogosphere.
• A few of you have been writing on the blog complaining that some of your comments have been censored and asking why. In short, I don't know. On Newsnight, we censor nothing that appears on the site, but we do employ an outside moderating company who check for, among other things, "profane, abusive or threatening language" (full guidelines here).
So, in response to a question about graffiti scrawled on his abandoned car, the foul-mouthed Justin's strictly factual response was barred from publication. I'm not going to repeat it here, but it begins with "w".
• Where does informality end and falling standards begin? Yesterday on the website, we asked you - as a diverting pastime while we waited for Mr Blair - to construct a statement which might get the PM off the hook. About 300 hundred of you obliged, but one bridled: "I find this exercise pretty stupid for the level that 成人快手 and Newsnight traditionally were holding and still claim to hold."
• I enjoyed the fact that when Laura Kuenssberg said that Jack Straw had been talking in the past tense some of you pulled her up, pointing out he was actually talking in the present perfect (the operative phrase was "has been"). Then again - as some of you have also raised - the standard of spelling and grammar among viewers' contributions to the blog is sometimes pretty appalling. Not what we would expect from Newsnight viewers.
• Two quick ones which raised eyebrows inside and outside the programme. Tony Blair portrayed as Christ at the Last Supper as an illustration of . Blasphemy or genius? And what about Kirsty's description of Gordon Brown's command and control network as Al-Qaeda-like? One of our own programme editors thought that was appalling.
Peter Barron is editor of Newsnight
- Fran Unsworth
- 18 Aug 06, 09:01 AM
Some blogs, as well as emails we've received, have said that 成人快手 correspondents are failing to report that when covering the war, they are operating under reporting restrictions imposed by Hezbollah. Others complain that we did not refer to Israeli censorship rules on air. I'd like to answer those points.
One of the forms that all journalists sign, to be accredited members of the press on arrival in Israel, is a promise that you will obey the rules of the military censor. In the context of the latest war in South Lebanon, those rules mean - we are not allowed to report any Hezbollah hits on military bases, not allowed to broadcast news of ministerial visits to the frontline until ministers are safely back out of Hezbollah’s range.
And if rockets land whilst we are live on air, we have to be vague as to where they fall (the theory being that Hezbollah may be watching 成人快手 World or equivalent, and using our information to help them calibrate their rockets launchers). Also we are not allowed to report on military casualties until the Israeli censor says so.
In practice, Israel finds these rules very hard to enforce. It is a small, talkative country and the media usually finds out about casualties quickly. The rolling news networks based outside the country are not bound by the censorship rules, so if they find out from other sources they will broadcast.
James Reynolds, one of our correspondents reporting from Northern Israel, writes...
“Throughout the conflict we have pretty good access to soldiers, generals and ministers - all extremely keen to put Israel’s case to the international media. By and large we’ve been allowed to go wherever we want on the Israeli side of the border. We’ve often driven straight into Israeli bases right next to the frontline - in the middle of battle preparations - and nobody has kicked us out.”
So what about Hezbollah? Were they any better able to control what reporters can and cannot see? Jim Muir - our correspondent who has just spent the last month based in Southern Lebanon - says...
“There have basically been no restrictions on reporting as such - there’s been no pressure in any direction with regard to anything we actually say, indeed very little interaction of any sort. There was however an issue at the beginning of the conflict over the live broadcast of pictures of rockets going out from locations visible from our live camera position. We were visited by Hezbollah representatives and told that by showing the exact location of firing we were endangering civilian lives, and that our equipment would be confiscated.”
Editors in London discussed both how we should handle both this request, and the Israel rules, in terms of what we said on air.
We agreed that rather than begin each broadcast with a 'health warning' to audiences, we would only refer to it if it was relevant. If rockets started to go off while were live on air, we would not show the exact location but would tell the audience that we had been asked by Hezbollah not to; on the grounds they claimed it endangered civilian lives.
In the event the situation never arose. Apart from that one incident we have been free to report whatever we wanted.
On the Israeli side, we agreed to refer to the censorship rules when it prevented us from reporting anything. In practice, it never did, so we did not see the need to mention it.
Fran Unsworth is head of Newsgathering
- Peter Barron
- 11 Aug 06, 01:15 PM
On Newsnight we've long hankered after our own website forum. With an opinionated, argumentative, computer-literate audience it's a marriage made in heaven. So, as we launched Talk about Newsnight this week our correspondents queued up to expose themselves to your views.
First up: Justin Rowlatt - already a successful multi-media figure as and the recipient of around a thousand clunky old emails this year. A bright new age beckoned.
"This 'ethical man' crap has got to be one of the worst ideas Newsnight has ever had. An entire year? That's not serious journalism, that's moronic daytime-magazine-programme s***e. Good luck with the blog though." wrote Kate, rather charmingly by the end.
"Welcome to blogging Justin", added our business correspondent Paul Mason, in what I think was solidarity.
We launched the forum properly on Thursday and the timing - coinciding with the huge news of the foiled alleged terror plot - could hardly have been better. As our deputy editor, Daniel "King of the Blogs" Pearl, spends his evenings discovering, the great attribute of the blogger is scepticism. Sceptics duly flocked to his posting (also here), Peter Simmons summing up the mood.
"It now transpires that bottles of pop are suspect, MI6 must have just seen the Tango ads and thought 'whoo, that looks dangerous'. This is sounding more and more like a farce, dressed up by the government to frighten old ladies into not flying. Meanwhile, in Lebanon...".
Don't the trusting or the gullible ever go blogging?
As I write I've just noticed this, from the improbably named Gully Burns of California. Is Gully gullible, or just sensible?
"I live in Los Angeles. People here respond to the news with immediate relief and support for the security services. There is almost no thought of the secondary implications, or having any sort of suspicion that the timing of the event is in any way related to Lebanon, Iraq or any other theatre of conflict. I personally feel that congratulations are in order to the police for this coup. All the complainants on this post would certainly be shocked and horrified if the events described today had come true, and they would then probably be complaining that the police didn't do their jobs."
In truth, one of Newsnight's aims in life is to be heartily sceptical, so we can hardly be surprised at our viewers' demeanour. But personally my favourite piece of the week displayed no edge, no cynicism, no controversy. It was the rediscovered gem of Harold Baim's travel film showing the beautiful place that Lebanon was in the more innocent age of the 1960s (watch it here) - now a tragic and poignant document.
Perhaps you hated it?
Peter Barron is editor of Newsnight
- Vicky Taylor
- 10 Aug 06, 11:20 AM
A correspondent to the debate on the doctored photographs asks an interesting question about how the 成人快手 is countering images from the public showing 'posed or inaccurate images'.
We now receive around 300 images a week to our . Most of these are interesting snaps taken of people’s families, holidays or lives in general. A fair proportion on a busy week are from news events, ie from Lebanon, or Britain during the heatwave.
Of course, we are aware that some people will use this system to try and hoax us, to send something which is not quite as it seems. It’s something we are on the look out for as we go through the images, and to date we’ve not published anything which has been problematic. But that doesn’t make us complacent. You do get a second sense with these images, and the team which are looking at them are doing so day in day out.
You can obviously follow all the usual journalistic paths; you can email or ring the photographer back and check are they were they say they are, does their number appear to be the code of the area they say, it is their photograph. If you get multiple photographs of the same image you would think that maybe they have been picked up from an agency or sharing site and don’t belong to the person sending them.
If they appear 'photoshopped', or almost too good, you would double check.
Some people take grabs off a television - these you can spot. You can do a quick technical check to see when the image was taken and with what device. You can compare with other photos from the same area, from TV images you may have of the place, you can check other photo agency wires to see if the image crops up elsewhere.
Most genuine emailers will add text, a plausible story, which can be checked out. You take care, and always use your professional judgement. No matter how pressing the need is to get that image up on the web or on the tv screen, the verification process must be gone through.
However I would say that the vast majority of people don’t want to hoax you, they want to get their image published and so share their story with the world, and that for our journalism and reflecting what is really going on in the world, can only be a good thing.
While I’m here... I wanted to add a note about the sheer volume of comments we’ve received on the crisis in Lebanon.
Since it began the Have Your Say debates have received well over 100,000 comments - and had 3.5 million page impressions. It has been consistently the only story people want to talk about or read people’s views on. On one day - 26 July - we received over 6,000 emails.
But that of course means that many people who do send their views may not get them published. There is no agenda here. On massive stories like this we do try to pick a range of views expressed differently - it would be no good if every one said more or less the same thing in the same way. We do try and pick comments from people actually living through or with direct experience of the event - on either side.
We know how frustrating it can be not to get a view which is held very deeply on the pages, but I can assure all those in this position, we are working flat out to get through as many as we can. Thank you all for your contributions.
Vicky Taylor is editor of Interactivity.
- Alistair Burnett
- 9 Aug 06, 05:10 PM
More aid workers were killed in July in the troubled Sudanese region of Darfur than in the entire preceding three years - that was the stark statement from the UN and aid agencies this week.
There has also been the killing of 17 aid workers in Sri Lanka - both of these have received a lot less attention from the world's media than would have been the case if attention wasn't focussed on the Middle East crisis.
My colleague, Craig Oliver of the ten o'clock TV news, blogged recently to explain why the Middle East got more attention than Congo and Iraq in his programme. I could have written the same for The World Tonight.
But there is a danger in this - which came up in a conversation I was having with an MP the other day - which is that while the world's attention is focussed on the Middle East, others may take advantage to get up to no good in the hope no-one will notice much.
Apart from Darfur and Sri Lanka - both of which have seen more violence in the past few weeks, other former hot spots are getting warmer again. In East Timor, the Australian-led peacekeepers have still to restore complete order and 150,000 people (more then 10% of the entire population) remain in camps living in very poor conditions.
And closer to home in Kosovo, there are growing fears that there could be a return to violence because it looks like the international community is going to make the province independent and oblige the Serbs in the north of the province - where they remain a majority - to leave the country they were born in and want to continue living in.
On the World Tonight, we made space for the latter last Thursday (listen to it here) but not yet made space for the former. Why? Because we've been giving so much space to the Middle East.
Alistair Burnett is editor of the World Tonight
- Peter Rippon
- 9 Aug 06, 11:15 AM
One of the programmes I edit, Broadcasting House, really irritates some listeners. There is a small but vocal section of Radio Four devotees who just do not accept the fundamental proposition - that you can have fun as well as do serious news on the same programme.
Thankfully the show's healthy audience figures convince me that such views are a minority. So recently Mark Doyle has exposed child labour in the mines of the Democratic Republic of Congo (listen here), but at the same time we've made a theatrical arrest (listen here).
Getting the balance and tone right is hard. In fact it is one of the hardest things we do. It regularly dominates our editorial discussions and we get it wrong sometimes. In fact, if you want to see the blood drain from any reporter's face you do not need to send them off to doorstep the relatives of the victim of some terrible tragedy. As they leave the building on a story just say "have some fun with it!" and watch them wilt.
It may be hard but I believe passionately we must continue to do it. Radio Four is often criticised for being too stuffy, too aloof and too elitist. Humour is a crucial weapon in countering such perceptions.
Peter Rippon is editor of PM and Broadcasting House
- Steve Herrmann
- 8 Aug 06, 09:59 AM
As with any conflict, photographers are at the heart of the propaganda war - with both sides attempting to use the power of the camera to their own ends.
that it has withdrawn all the pictures taken by Adnan Hajj (one of its stringers in Lebanon), following his use of Photoshop to manipulate two images, has meant all of us need to understand the processes by which these pictures are obtained and used.
I asked the 成人快手 News website's picture editor, Phil Coomes, to explain some of the background to the images we can easily take for granted.
"At the 成人快手 News website we rely on a number of international news agencies to provide us with the majority of our still images. Trusted and well established names such as the Associated Press and Agence France Press sit beside new players in the game such as Getty News Images.
"All of these companies have their own staff photographers who work alongside local freelancers around the world - forwarding their pictures to an editor who will then send it on to their subscribers.
"At the 成人快手 we receive over 5,000 pictures per day on the picture wire service; ten years ago it would have been less than 500. News websites need vast quantities of pictures and often in real-time - the days of a photographer providing the one defining image for a newspaper front page are long gone.
"All the pictures we use are checked for any obvious editing - the easiest to spot being cloning of parts of the image (which appeared to be what happened in this example).
"Today a photographer working in the field is under more pressure than ever, especially in a combat zone. He or she no longer has to just take the pictures, not to mention ensure they are in the right place to begin with, but they also have to edit, caption and transmit them.
"For this and other reasons photographers often work together, so at any major event you will usually have a number of sources to compare against each other - giving a good indication as to the basic truth of the picture.
"The are interesting, in that there are many ways to interpret the images. The basic truth is undeniable, but with so many photographers all shooting the same event, and filing many alternative pictures to their agencies, the sequence of events is hard to pin down.
"To some extent the presence of a camera will alter the event, but it’s up to those on the ground to work around this and present us with an objective a view as possible.
"Digital photography has altered the landscape of photojournalism like nothing before it, placing the photographers in total control of their output. All the news agencies have photo ethics policies, many of which are rooted in the days of film. The standard line is that photographers are allowed to use photo manipulation to reproduce that which they could do in the darkroom with conventional film.
"This usually means, colour balance, '', cropping, touching up any marks from dust on the sensor and perhaps a little sharpening. If we are honest though, an accomplished darkroom technician could do almost anything and there are many historical examples of people being airbrushed from pictures.
"All this sounds fine until you look at the reality - .
"By definition a photograph is a crop of reality, it’s what the photojournalist feels is important. But it doesn't equate to the whole truth, and perhaps we just need to accept that."
UPDATE (from Steve Herrmann): I should have said at the start - we didn't use the Reuters picture on the 成人快手 News website.
But we have had some emails about another picture we used yesterday of a Lebanese woman in front of damaged buildings. We got the picture from AP and it was dated last Saturday but a reader pointed out it bore a resemblance to another picture - which we hadn't run - attributed to Reuters and dating from July.
It wasn't the same image, but conceivably could have been the same place and time. We weren't in a position to get to the bottom of this immediately ourselves so we decided to update the picture with a different, more recent image. But not before it was picked up by at least .
Steve Herrmann is editor of the
- Ben Rich
- 8 Aug 06, 08:13 AM
If we're not careful, it's going to become something of a theme.
Last week the Six O'Clock News ran a piece showing a dangerous game being played by teenagers on a playground roundabout - in which a motorbike engine was used to drive it around at ever greater speeds, with two teenage girls hanging on grimly in the middle. Yesterday it was a fireman who got spun round inside an industrial tumble-dryer to the vast amusement of his friends, and the horror of fire service bosses (watch it for yourself here).
In neither case was anyone injured, but they might have been. Why did we do these stories?
Well, one discussion we've had recently concerns what we should do about things that a large number of people are clearly interested in, but which do not have some political or other wider significance. These are the kind of items that get filmed these days and end up being passed around, sometimes to literally millions of people, via e-mail, or are watched by huge numbers via internet sites.
Many are just curiosities, but sometimes a particular piece of human folly strikes a chord and has that shock factor that makes people want to see it - and we've decided that at least sometimes they should be able to even if they do not have access to the web.
What made these two more relevant is that they were cautionary tales that happily did not end in tragedy and could serve as a warning.
Now that's all very well, but what about the risk of copycats? Of course that is something we have to consider (for example 成人快手 guidelines make it clear that we should never show in detail the way people prepare and take illegal drugs) but you could argue that we might actually stop a few people doing these things too.
It's a difficult calculation to make and a potentially troublesome one for a journalist. Should we show people driving dangerously? What about film of anti-social behaviour?
I believe that as editors we have to have a fairly high threshold for censoring something just because it might lead to imitators. So long as we point out the dangers, we then have to leave it to people's own good sense, the control exerted by parents and, in this particular case, the difficulty of finding industrial-sized tumble dryers.
Ben Rich is deputy editor, One and Six O'Clock news
- Daniel Pearl
- 7 Aug 06, 02:05 PM
Have you been emailed about ? Or maybe ? If you're like me you've probably been sent both.
There is an enormous online campaign by both sides to persuade the world that the media is biased one way or another in its reporting of the Lebanon/Israel conflict.
Yesterday the story took an unexpected turn. Reuters announced that it has dropped a freelance photographer after, Reuters claim, he doctored an image of the aftermath of an Israeli air strike on Beirut to show more smoke (details ).
"The photographer has denied deliberately attempting to manipulate the image, saying that he was trying to remove dust marks and that he made mistakes due to the bad lighting conditions he was working under," , the head of public relations for Reuters.
But what are the chances of the online community believing that? On Newsnight tonight we'll be discussing the images the public sees, how they are chosen and whether they are manipulated.
Leave a comment and let me know what you want us to include in the programme.
UPDATE, TUESDAY 1015: Click here to watch the item that went out last night (including an interview with Paul Holmes from Reuters).
Daniel Pearl is deputy editor of Newsnight
- Paul Brannan
- 28 Jul 06, 02:58 PM
The language of conflict has always given birth to euphemisms – collateral damage, kinetic targeting and ethnic cleansing are among the more recent entries to the argot of the times.
George Orwell covered this ground in Politics and the English Language back in 1945. He wrote: "“Defenceless villages are bombarded from the air, the inhabitants driven out into the countryside, the cattle machine-gunned, the huts set on fire with incendiary bullets: this is called pacification.
“Millions of peasants are robbed of their farms and sent trudging along the roads with no more than they can carry: this is called transfer of population or rectification of frontiers."
Orwell saw this retreat into euphemism as a consequence of political expediency by those seeking to defend the indefensible. Such phraseology was needed by those who wanted to name things without calling up mental pictures of them.
A more recent commentator, Keith Woods of the Poynter Institute, cautioned against adopting the language of the military in reporting on war. “Language has always had a power that tilts towards those who define the terms,” he observed.
And my colleague Jon Williams has also written of the sensitivities of language, specifically the words used to describe the recent taking of the two Israeli soldiers.
The weight of history and its years of tit-for-tat reprisals in the region would lead many people to take issue with Orwell’s conclusion about language. Some would insist that Israel’s actions in southern Lebanon were entirely defensible. But when, in a recent report, we mentioned the proposal for a “buffer zone” between Israel and Lebanon as part of a wider ceasefire plan it prompted one viewer to write and complain.
"'Buffer zone' is a propaganda term used by the Israeli government. It should not be simply repeated by a news organisation.”
Such a description would be mendacious to many Lebanese. For them it’s a straightforward invasion and occupation of their territory.
Whatever the rights and wrongs of the conflict, using the Israeli terminology - “buffer zone” - without ascribing it to them would make it appear that we accept the view of it as a purely defensive measure designed to protect Israel from aggression. Not using the term could also make us appear partial, or that we believed the argument that it is nothing to do with self-defence.
So, for future instances, I’ve asked the web team simply to make clear that the expression is one Israel has given to it.
Paul Brannan is deputy editor of the
- Jon Williams
- 26 Jul 06, 02:51 PM
I began life working for the supermarket chain Sainsbury's. Chapter 1, paragraph 1 of "How to do retail" is the idea that the customer is always right!
As maxims go, it's not a bad one - never forget the consumer has a choice. It's something that's stuck with me ever since - it's as applicable to broadcasting as it is to selling groceries. But sometimes, that belief is tested.
One of the things that's distinguished the 成人快手's coverage of the fighting in Lebanon has been our ability to travel the region - hearing different perspectives from our correspondents across the Middle East, whether it's from Gaza, Damascus or Tehran. Yesterday Margaret Beckett called on Syria and Iran to stop encouraging "extremism" in Lebanon and end support for Hezbollah. The 成人快手 is the only English-language broadcaster to have a bureau in Iran - recently we built a TV studio in Tehran to allow News 24 and 成人快手 World to report live from the city.
So it seemed rather uncontroversial for our correspondent in the city, Frances Harrison, to appear on 成人快手 News 24 to report how the crisis in Lebanon was being reported in Iran, wearing a rather fetching red headscarf (you can watch the piece by clicking here). Uncontroversial until a viewer rang the 成人快手 duty log rang to complain that wearing the scarf called into question "the objectivity of this reporter".
Really?
If you've seen those adverts for HSBC, you'll know that different countries have different customs. A bit like HSBC, the 成人快手 operates in more than 20 different countries - and in each our staff respect those traditions. In Iran, women are required to cover their heads. It's not unusual. In Saudi Arabia women are expected to wear a larger abaya, and can be arrested by the religious police if they don't.
But it's not just about the letter of the law - it is about us respecting local sensitivities. We can only operate in other countries with the consent of the people who live there - we don't inhabit an ivory tower. It's important for the integrity of our journalism that we get out and talk to the people of Tehran - as we do in Moscow, Beijing or Washington. That means we need to respect their customs and traditions.
I'm not sure why that makes Frances or any of her colleagues elsewhere in the world any less objective - on the contrary, I suspect it gives them rather greater insight into the people and countries they report on.
And I thought she rather suited that red headscarf.
Jon Williams is world news editor
- Barney Jones
- 26 Jul 06, 12:39 PM
So, I was pilloried by The Thunderer on Monday - that's - for having such enthusiasm for Hezbollah that I must in fact be the leader of this organisation.
Quite a damning attack on a long-standing and relatively anonymous staffer steeped in the ethos of objectivity and fair play. An ethos perhaps not applicable to columnists who earn a living from being provocative; making waves.
But what to do? The news of this full-frontal attack reached me rather late in the day. After working in Television Centre most of the weekend, I headed off for the wilderness of the Brecon Beacons on Sunday evening, with my teenage son. Come Monday lunchtime, arriving at a hilltop that picked up a faint mobile phone signal, I learned of the damaging denunciation.
and I agreed that since the piece was wrong in detail, as well as broad implication, a response was essential. He prepared a brief eloquent letter and I offered a more detailed lumbering explanation. An amalgam was eventually submitted to the Times letters page and .
The programme on Sunday 23rd (which you can currently watch here) was not, as stated by Pollard, "mostly... given over to events in the Middle East". It was centred on a long interview with the deputy prime minister, the first live TV interview since his personal and political life imploded three months ago.
Attacks for being too tough or too soft on Prezza I anticipated. Masterminding Hezbollah was a surprise.
The sole interview with any player with a direct tie-in to the Middle East was with a minister in the Lebanese government. A brief interview with a woman who is not aligned with Hezbollah, whose husband was assassinated in a bombing she believes was associated with Syrian factions, and who was questioned by Marr about the culpability of Hezbollah for the mayhem now engulfing her country.
With Israeli troops massing on the border, the interview seemed entirely appropriate and was followed by a live link with the 成人快手's man in Jerusalem for an overview of the diplomatic manoeuvres and the Israeli government’s stated response to the British minister – just arrived – and the American minister – arriving shortly.
The previous weeks’s programme was rather more Middle East orientated. It featured a substantial interview with the Israeli Deputy Prime Minister Shimon Peres (watch it here), followed by a briefer interview with the former Palestinian negotiator Hanan Ashrawi (watch that here). And earlier in the month, the acting Israeli ambassador to London was interviewed on his own.
Zionist plots on these occasions? Don’t be absurd!
Pollard also lambasted us for the paper review. It started with the Middle East, as many papers did, but covered a host of other topics including domestic politics. The two reviewers were chosen to reflect different facets of UK politics, as they usually are. A former Tory MP and a current Labour MEP. In the minority of the review that was devoted to the Middle East, both indicated that they thought the Israeli response disproportionate. In an ideal world we would have two reviewers with differing views on this contentious subject. However the fact that these two distinguished figures both happen to share a perspective does not, surely, disbar them from comment.
The Beeb doesn’t always get it right and this blog is one forum for those of us charged with producing programmes to put our hands up and say “sorry”. Indeed it’s essential that we all consider carefully what we do, strive to follow the 成人快手 guidelines and admit when we’ve got it wrong. I’m convinced, however, that the Pollard attack was unwarranted.
And I think that a visit to the Sunday AM website, which hosts transcripts of all the interviews - and a record of who appeared each week - will reassure most viewers that our record for fair play remains intact.
Barney Jones is the editor of Sunday AM
- Rod McKenzie
- 25 Jul 06, 01:16 PM
Andy is a bathroom fitter. He's young - a keen Radio 1 listener with a wife and two small children. I spent some time with him recently - not because he's doing my bathroom - but because I went to talk to him while he was doing a job near Basingstoke and I wanted to get his thoughts on what we do journalistically.
You see, we editors do occasionally come down from our ivory towers.
Broadly, he's a fan, but one thing does make him very angry.
Your editorial line - he said, accusingly - is promoting sex. "You are always going on about STI's, condoms and safe sex... and giving the impression everyone's doing it with multiple partners. But you don't talk about monogamy or abstinence!"
This got me thinking: sex is one of the Radio 1's audience key concerns; with the western world's highest rates of teen pregnancies, huge rises in STI's and spiralling depression - often caused by relationship or self image issues - it's hardly surprising we get more listener interaction on these issues than any other. The appetite for these stories is huge.
So am I some sort of latter-day Paul Raymond - presiding over a sleazy world of promiscuity and porn, surrounded by page 3 wannabes whilst signing up kiss-and-tell stories to shame the News of the World? No, clearly not. That never has been or will be, part of the brief (no pun intended).
But what we are providing is public service information in any area where many young people feel they are seriously uninformed. The reality is that for many of our audience, sex - often risky, sometimes disastrous - is a regular part of their lives.
It's not our job, I believe, to preach, to stand in judgement or to make moral judgements. It's not a role I seek or am qualified to do - nor would my staff want to. It is our job to make the best information available to our young listeners aged in their late teens and early twenties so they can make informed choices if they wish to. We even have a specialist youth health reporter, Helen Neill, to help us to address this editorial area with real focus.
I said this to Andy - he thought for a bit and said, smiling, "but you could tell them about abstinence and being faithful to one person couldn't you? There are some young people like that, you know".
Maybe he's got a point.
(PS: Click here to find out more about Radio 1's 'Bare All' campaign.)
Rod McKenzie is editor of Newsbeat and 1Xtra TX
- Craig Oliver
- 24 Jul 06, 03:00 PM
Here are some stark statistics:
• Around 30 to 40 people are killed every day in the current Israel/Lebanon conflict.
• About 100 people are killed every day in the violence in Iraq.
• And 1,200 people are killed every day in the war in the Congo.
All three of these stories are due to appear on tonight's Ten O'Clock News. They will probably run in that order - with the Middle East getting by far the most attention.
Does this say something about how we value human life? It's a fair question and one I worry about.
Here is our reasoning for not reversing the order. The war in the Congo has been going on for decades - it is desperately important (as we will reflect tonight), and a story we will keep returning to. Similarly the Ten has led the way in attempting to show the scale of the violence in Iraq in recent months - we have regularly led the programme with stories from there, and the 成人快手 is the only British broadcaster with a full time commitment to being there.
The Middle East needs more time and space for a variety of reasons:
• The sheer complexity of the situation requires space to help provide context and analysis.
• The current conflict plugs into so many other stories around the world, from what Tony Blair and George W. Bush call the "War on Terror", through to the price of oil, even the situation in Afghanistan.
• Many people fear the consequences of conflict in the Middle East more than anywhere else, and it is our job to help people understand a "scary world".
In short, our judgement is that Middle East is currently the biggest story in the world - by a wide margin - and it has the greatest implications for us all.
Craig Oliver is editor of the Ten O'Clock News
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